丁托列托绘画中的时空观
发布时间：2019-05-11 17:58
【摘要】：丁托列托是十六世纪威尼斯的重要画家,但是他展现出的个人风格与提香、乔尔乔内和委罗内塞代表的典型威尼斯画派有很大不同。丁托列托绘画中戏剧化的场面、强烈的情绪和给观众带来的在场感是对文艺复兴经典绘画方式的突破。本文通过对丁托列托绘画中空间与时间的分析,发现画家在画面中扭曲变化的空间与视角暗示出画面里时间的变化。变化的空间与流动的时间将画面由静止变为运动,画家以此将存在于历史当中的事件重新放在了现实观众的面前,给每个观众以身临其境的体验。上帝通过绘画再次降临到现实场景当中,而观众也穿越进入画面真实的场景当中,画家通过绘画创造出一种观众和上帝共同在场的效果。画家追求的上帝与人同在的效果与当时欧洲地区的宗教改革浪潮,特别是神秘主义教派的宗教观点相契合。本文通过对于十六世纪欧洲宗教改革和威尼斯地区神秘主义教派信仰的研究,分析了丁托列托绘画背后宗教改革的影响,并通过对丁托列托社交关系研究来论证这一观点。揭示出丁托列托独特的绘画风格背后关于16世纪威尼斯地区的宗教信仰与宗教改革的问题。
[Abstract]:Ding Toleto is an important painter of Venice in the 16th century, but his personal style is very different from that of Titian, Joel Jonah and Romese. The dramatic scene, strong emotion and the sense of presence brought to the audience in Ding Toleto's painting are the breakthrough of Renaissance classical painting. Based on the analysis of space and time in Ding Toleto's painting, this paper finds that the painter distorts the changing space and perspective in the picture and implies the change of time in the picture. The changing space and flowing time change the picture from stillness to motion, so that the painter puts the events existing in history back in front of the real audience and gives each audience an immersive experience. God came to the real scene again through painting, and the audience also traversed into the real scene of the picture. Through painting, the painter created a kind of effect in which the audience and God were present together. The effect of God and man being pursued by painters coincided with the wave of religious reform in Europe at that time, especially the religious view of mysticism. Based on the study of European religious reform and mysticism in Venice in the 16th century, this paper analyzes the influence of religious reform behind Ding Toleto's painting, and demonstrates this viewpoint through the study of Ding Toleto's social relationship. This paper reveals the religious belief and religious reform in Venice in the 16th century behind Ding Toleto's unique painting style.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2474719
[Abstract]:Ding Toleto is an important painter of Venice in the 16th century, but his personal style is very different from that of Titian, Joel Jonah and Romese. The dramatic scene, strong emotion and the sense of presence brought to the audience in Ding Toleto's painting are the breakthrough of Renaissance classical painting. Based on the analysis of space and time in Ding Toleto's painting, this paper finds that the painter distorts the changing space and perspective in the picture and implies the change of time in the picture. The changing space and flowing time change the picture from stillness to motion, so that the painter puts the events existing in history back in front of the real audience and gives each audience an immersive experience. God came to the real scene again through painting, and the audience also traversed into the real scene of the picture. Through painting, the painter created a kind of effect in which the audience and God were present together. The effect of God and man being pursued by painters coincided with the wave of religious reform in Europe at that time, especially the religious view of mysticism. Based on the study of European religious reform and mysticism in Venice in the 16th century, this paper analyzes the influence of religious reform behind Ding Toleto's painting, and demonstrates this viewpoint through the study of Ding Toleto's social relationship. This paper reveals the religious belief and religious reform in Venice in the 16th century behind Ding Toleto's unique painting style.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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