绘画语言在水墨人物画中的运用探析

发布时间：2019-05-12 11:38

【摘要】：绘画灵魂就是其精神内涵，绘画生命就是其形式语言，失去了生命的作品是不成立的，同样丢了灵魂的作品也是无法存活的，绘画是一种以视觉形式传达思想意识的特定语言符号，本文将绘画语言作为重点研究对象，对古代及现代水墨人物画中出现的绘画语言做详细的梳理和比对，对水墨人物画绘画语言的起源背景、发展概况、当代转化、风格流派等进行分析，根据各个朝代画论对绘画语言进行梳理。本篇文章三部分组成，绪论、本论以及结语。本论分为四个部分：一、传统水墨人物画发展概况梳理，分析各朝各代水墨人物画中呈现出的绘画语言；二、传统水墨人物画绘画语言的分析，从笔法、墨法、水法、章法、造型、设色等方面进行研究和探索；其三，由于生存环境、表现题材、观念意识的转变，在当今社会时代背景下传统语言受到局限，伴随着西方文化的不断冲击，绘画语言不得不与时俱进；四、通过绘画语言的不同面貌，分析当代水墨人物画的风格流派，，并且根据八大美院所处的地理位置以及各个美院独特的绘画风格，对当今水墨人物画做区域划分。绘画语言存在的意义也就是形式与内容的辩证关系。在人类漫长的艺术实践中，从最初不重视绘画语言到逐渐开始意识到绘画语言的重要性，认知它不仅仅载着艺术家的内心情感，还制约着艺术家的情感抒发，作为一个艺术家没有自己的绘画语言就很难表述心中的情感给观众，观众们也将无法领悟到艺术作品的精髓。
[Abstract]:The painting soul is its spiritual connotation, the painting life is its form language, the work that has lost the life is untenable, also lost the soul the work is also unable to survive. Painting is a kind of specific language symbol which conveys ideology in visual form. This paper takes painting language as the key research object, and combs and compares the painting language in ancient and modern ink figure painting in detail. This paper analyzes the origin, development, contemporary transformation and style schools of ink figure painting language, and combs the painting language according to the painting theory of each dynasty. This article is composed of three parts, introduction, this theory and the conclusion. This theory is divided into four parts: first, the general situation of the development of traditional ink figure painting is combed, and the painting language in each generation of ink figure painting is analyzed. Second, the analysis of the traditional ink figure painting language, from the pen method, ink method, water method, chapter method, modeling, color setting and other aspects of research and exploration; Third, due to the change of living environment, subject matter and concept consciousness, the traditional language is limited under the background of today's social times. With the continuous impact of western culture, the painting language has to keep pace with the times. Fourth, through the different features of painting language, this paper analyzes the style schools of contemporary ink figure painting, and according to the geographical location of the eight art schools and the unique painting style of each art institute, makes a regional division of today's ink figure painting. The meaning of painting language is the dialectical relationship between form and content. In the long artistic practice of human beings, from not paying attention to painting language at first to gradually realizing the importance of painting language, cognition not only carries the artist's inner emotion, but also restricts the artist's emotional expression. As an artist without his own painting language, it is difficult to express the feelings in his heart to the audience, and the audience will not be able to understand the essence of the works of art.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【相似文献】