论现代数码版画在创作中绘画性的缺失

发布时间：2019-05-15 14:31

【摘要】：人类正在进入一个“数字化”的时代，数字化已经成为新时代构造、运行、和发展的重要动力和根本特征。数字技术的发展已经改变了世界许多方面，这其中包括艺术。从手工业时代再到数字化技术时代，版画的版种也在不断的诞生，由此也诞生了数码版画。因此，在现代版画的创作中，我们为了让版画的美学特征更加良好的表现出来，不约而同的选择借用现代高科技发展下的计算机图像处理技术，这本来是对版画艺术创作的思路扩展和大胆试验，但是在进行数码版画创作之前，我们应该明确下列几个问题，即版画的本质是什么，版画和别的美术种类有所不同的到底是什么，版画的风采和魅力究竟是什么。虽然，在21世纪高科技发展的今天，我们运用数码技术对版画创新也迎合了新世纪中文化资源共享的前进方向，对于现代人们简洁、高效的审美观念和快节奏的生活也是一种迎合，正因为这些原因，才促使数码版画有着越加广泛的生存空间。但同时，传统版画的工艺、印痕、材质选择等要素也在新世纪中广泛交汇，构成现代版画领域发展的多样性视觉魅力和触觉魅力。而传统版画的这种艺术魅力在数码版画中却没有更好的表现出来。所以面对这种数码版画创作的不足，本文以现代数码版画为研究对象，对现代数码版画在创作过程中绘画性的缺失进行研究和阐释。首先，文章从数码版画的含义与特点为切入点，，阐述了作为新时代产物的数码版画的基本特征。然后对比了数码版画和传统版画在材料、创作形式的不同。进而引出本文主要议题，现代数码版画在创作中绘画性的缺失。具体从数码版画印痕美的缺失、数码版画技艺美的缺失、数码版画材质美的缺失、数码版画艺术性缺失、数码版画偶然形的缺失这五个方面阐述了数码版画只注重作品的技术性，平面性，而失去了绘画性，减弱了肌理、色彩、印痕等版画艺术的自身语言特征，这个现象值得我们去思考同时也希望更多的版画创作者能更好地认识数码版画的艺术特征。
[Abstract]:Human beings are entering an era of "digitalize", and the digitization has become an important dynamic and fundamental characteristic of the construction, operation, and development of the new era. The development of digital technology has changed many parts of the world, including art. From the time of the handicraft industry to the digital technology era, the edition of the printmaking is also born, and the digital printing has also been born. Therefore, in the creation of modern lithograph, in order to make the aesthetic characteristics of the printmaking more good, we choose to use the computer image processing technology under the development of modern high-tech, which is an extension and a bold test of the idea of the art creation of the printmaking. But before making digital printing, we should make clear of the following problems, that is, what the nature of the print is, what the print and other types of art are different, what is the style and the charm of the print. Although, in the high-tech development of the 21st century, we apply the digital technology to the development of the cultural resource sharing in the new century, and it is also an appeal to the modern people's simple and efficient aesthetic concept and fast-paced life, for these reasons, The more extensive living space is caused by the digital printing. At the same time, the process, impression, material selection and other factors of the traditional printmaking also meet in the new century to form the diversity visual charm and the tactile charm of the development in the field of modern printing. The artistic charm of the traditional printing has not been better displayed in the digital printing. Therefore, in the face of the shortage of the digital printing, this paper studies and explains the lack of the modern digital printing in the process of creation by using modern digital printing as the research object. First, from the meaning and characteristics of digital printing, the paper expounds the basic principle of digital printing as the product of the new era. It then compares the digital print and the traditional print in the material, the creative form of the non- In addition, the main topics of this paper are drawn out, and the shortage of modern digital printing in creation The result shows that the digital printing only pays attention to the technical and planar nature of the work and loses the painting from the five aspects of the deficiency of the digital print impression, the missing of the digital printing technique, the lack of the beauty of the digital printing material, the lack of the digital printing artistry and the accidental deletion of the digital printing. Sex, weakened the self-language characteristics of the print art such as the texture, the color, the impression, and so on. This phenomenon is worth to think about and hope that more of the printmaker can better understand the art of the digital printing.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J217

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