《孔子圣迹图》考述

发布时间：2019-05-17 07:29

【摘要】：孔子（前551—前479），字仲尼，名丘，春秋末年人。作为我国著名的思想家、儒家学派的开山鼻祖和精神导师，孔子影响后世既深且远。本文以中国历代的《孔子圣迹图》为研究对象，以传世各版本图像和典籍为依托，从历史和美术等角度，将历代《孔子圣迹图》的发展脉络进行大体回顾和梳理。《孔子圣迹图》的具体图像图册实体传世不多。现今所能看到的关于《孔子圣迹图》最早的版本始于明代，本文希望借助传世图像和古籍，勾勒《孔子圣迹图》的产生、发展的框架。本文的论述问题如下：第一部分，《孔子圣迹图》的形成，从历代儒家始塑孔子开始，对于历代儒家对于孔子事迹的歌颂和宣传的形式和方法进行回顾整理，进而在传承儒家思想的载体形式上采取图画图像形式的原因和出发点进行研究，将《孔子圣迹图》出现的原因及背景表现出来。第二部分，回顾和梳理《孔子圣迹图》的发展，就古籍记载的《孔子圣迹图》的萌芽，到现存最早的《孔子圣迹图》版本的出现、完备，研究历代《孔子圣迹图》对孔子事迹和思想的传承方式和方法。在传承理念上，就是将儒家文化理念以直观的形式加以宣扬，深入民众生活的角落细节，与生活密切关联；在传承方式上，努力利用现有条件，开拓新的文化传承方式，不拘泥以单调的形式和内容来作为一种文化的传承和弘扬。在传承目的上就是传承方法和手段要与文化内涵相挂钩，两者相辅相成，，在文化的传承弘扬中注意与生活实践相结合，做到言之有物，民俗和文化理念不可脱节，以一种直观可见可感的方式拉近传承者与文化的距离。使民众易于接受儒家思想。第三部分，就具体的《孔子圣迹图》实体的艺术创作和绘画形式等方面探讨《孔子圣迹图》的美学价值，就不同时代《孔子圣迹图》的艺术表现形式方法的角度，研究其美学的传承和发展作用。第四部分，总体上回顾和总结一下《孔子圣迹图》的教化和当代意义，从历代对于《孔子圣迹图》的创新和时代精神入手，谈谈当前对于传统中华民族历史文化的传承必须建立适合时代发展的新理念和新方式，历代传承弘扬儒家思想文化的经验是当今传承弘扬传统文化手段的理论指导和学术引擎。对于开创现代儒家思想的重新发展和繁荣以及赋予其具有鲜明特点的时代和现实意义。
[Abstract]:Confucius (former 551-479), the word Zhongni, the name Qiu, the late Spring and Autumn period. As a famous thinker in our country, Confucius influenced later generations deeply and far away. Based on the images and classics of Confucius in the past dynasties of China, this paper reviews and combs the development of Confucius Holy signs from the perspective of history and art. The concrete image atlas of Confucius Holy signs is not widely passed down from time to time. At present, the earliest version of Confucius Holy trace began in Ming Dynasty. This paper hopes to outline the framework of the emergence and development of Confucius Holy trace with the help of earthly images and ancient books. The problems discussed in this paper are as follows: in the first part, the formation of Confucius Holy signs began with the formalization of Confucius in the past dynasties, and reviewed and sorted out the forms and methods of Confucius' eulogizing and propaganda of Confucius' deeds in the past dynasties. Then the reason and starting point of taking the form of picture image in the carrier form of inheriting Confucianism are studied, and the causes and background of Confucius Holy trace are shown. In the second part, we review and sort out the development of Confucius Holy trace, and complete the emergence of the earliest version of Confucius Holy trace recorded in ancient books. This paper studies the ways and methods of inheriting Confucius deeds and thoughts in Confucius Scriptures of the past dynasties. In the inheritance concept, it is to propagate the Confucian cultural concept in an intuitive form, to go deep into the corner details of people's life, and to be closely related to life. In the way of inheritance, efforts should be made to make use of the existing conditions to open up a new way of cultural inheritance, which will not be carried forward in monotonous form and content as a kind of cultural inheritance and promotion. In terms of the purpose of inheritance, the methods and means of inheritance should be linked to the connotation of culture, and the two complement each other. In the inheritance and promotion of culture, attention should be paid to the combination of life practice, so that there is something to be said, and folk customs and cultural ideas can not be separated from each other. Narrow the distance between the inheritor and the culture in an intuitive and visible way. Make it easy for the people to accept Confucianism. The third part discusses the aesthetic value of Confucius Holy trace from the aspects of the concrete artistic creation and painting form of Confucius Holy trace, and from the angle of the artistic expression form and method of Confucius Holy trace in different times. To study the inheritance and development of its aesthetics. The fourth part, on the whole, reviews and summarizes the enlightenment and contemporary significance of Confucius Holy signs, starting with the innovation of Confucius Holy signs and the spirit of the times in the past dynasties. At present, the inheritance of the history and culture of the traditional Chinese nation must establish a new idea and new way suitable for the development of the times. The experience of inheriting and carrying forward Confucian ideology and culture in the past dynasties is the theoretical guidance and academic engine for inheriting and carrying forward the traditional cultural means. It is of great significance to create the re-development and prosperity of modern Confucianism and to give it distinctive characteristics.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.2;B222.2

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