论中国水墨人物画的传承与创新
发布时间：2019-05-17 16:38
【摘要】：长期的艺术实践，让我对中国水墨人物画有了更多更深远的认识，让我更热衷于水墨人物画的探索，试图打造属于自己精神祈求的绘画形式，并恰当地反映这个时代变革的创作。 传统绘画的功能体现于它的审美观，，历代绘画根据政治、宗教的要求，强调“以形写神”，达到对观赏者的教化和对各阶层观赏者的审美愉悦。传统写意人物画侧重于“主观心象精神的写照”，使承袭下来的传统笔墨得以有发挥和创造新的水墨语言的可能。由此而来，丰富传统中国画的笔墨形式与理论是必然，中国水墨人物画传承的重要性可见。 中国水墨人物画从传统转向现代形态，从现代延续到当代，这是艺术变化的规律，也是我们研究中国水墨人物画的艺术起点。当今中国画坛，无论是坚守“师古为尊”还是秉承“中西融合”，传承与创新的意义都被重新解读。无论从形式构成、笔墨技法、人物造型、题材内容、主旨立意还是画家自身的情感表达，越来越多涌现出来的人物画家都打破了传统绘画的局限。21世纪的中国人物画将在整个中国社会、中国大文化背景的变革中，尊重艺术规律，更加关注社会、关注人生，立足民族传统文化，融汇中西，创造出同步于当下社会主义环境的中国人物画。
[Abstract]:The long-term artistic practice has made me have more and more far-reaching understanding of Chinese ink figure painting, so that I am more keen on the exploration of ink figure painting, trying to create a painting form that belongs to my own spiritual prayer. And properly reflect the creation of the changes in this era. The function of traditional painting is embodied in its aesthetics. According to the requirements of politics and religion, the painting of the past dynasties emphasizes "writing God in form", so as to achieve the enlightenment of the viewer and the aesthetic pleasure to the viewer of all strata. The traditional freehand figure painting focuses on "the portrayal of subjective mental image spirit", which makes it possible for the inherited traditional pen and ink to give full play to and create a new ink language. As a result, it is inevitable to enrich the pen and ink form and theory of traditional Chinese painting, and the importance of inheriting Chinese ink figure painting can be seen. Chinese ink figure painting changes from traditional to modern form, from modern to contemporary, which is the law of artistic change, and it is also the artistic starting point for us to study Chinese ink figure painting. In today's Chinese painting world, the significance of inheritance and innovation has been reinterpreted, whether it is to adhere to the respect of "teachers and ancient times" or to adhere to the "integration of China and the West". Whether from the form composition, pen and ink techniques, character modeling, subject matter content, purport or the painter's own emotional expression, More and more characters and painters have broken the limitations of traditional painting. Chinese figure painting in the 21st century will respect the laws of art, pay more attention to society and life in the reform of the whole Chinese society and the great cultural background of China. Based on the national traditional culture, the integration of China and the West, the creation of Chinese figure painting synchronized with the current socialist environment.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2479249
[Abstract]:The long-term artistic practice has made me have more and more far-reaching understanding of Chinese ink figure painting, so that I am more keen on the exploration of ink figure painting, trying to create a painting form that belongs to my own spiritual prayer. And properly reflect the creation of the changes in this era. The function of traditional painting is embodied in its aesthetics. According to the requirements of politics and religion, the painting of the past dynasties emphasizes "writing God in form", so as to achieve the enlightenment of the viewer and the aesthetic pleasure to the viewer of all strata. The traditional freehand figure painting focuses on "the portrayal of subjective mental image spirit", which makes it possible for the inherited traditional pen and ink to give full play to and create a new ink language. As a result, it is inevitable to enrich the pen and ink form and theory of traditional Chinese painting, and the importance of inheriting Chinese ink figure painting can be seen. Chinese ink figure painting changes from traditional to modern form, from modern to contemporary, which is the law of artistic change, and it is also the artistic starting point for us to study Chinese ink figure painting. In today's Chinese painting world, the significance of inheritance and innovation has been reinterpreted, whether it is to adhere to the respect of "teachers and ancient times" or to adhere to the "integration of China and the West". Whether from the form composition, pen and ink techniques, character modeling, subject matter content, purport or the painter's own emotional expression, More and more characters and painters have broken the limitations of traditional painting. Chinese figure painting in the 21st century will respect the laws of art, pay more attention to society and life in the reform of the whole Chinese society and the great cultural background of China. Based on the national traditional culture, the integration of China and the West, the creation of Chinese figure painting synchronized with the current socialist environment.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
【参考文献】
相关期刊论文 前1条
1 刘曦林;;写意与写意精神[J];美术研究;2008年04期
本文编号：2479249
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