清代岭南文人画的艺术初探
发布时间：2019-05-18 10:28
【摘要】：文人画,是有别于院体画、工匠画的一种绘画类别,文人画的概念确立于晚明。文人画虽然已经成为历史,但是文人画传统的精神和理论精华是值得我们研究与探讨的。本文以清代岭南文人画作为研究的立足点,追溯宋、元、明文人画历史渊源,梳理清代岭南文人画的历史,从事物发展的客观规律分析理解清代岭南文人画的主要特征。文人画的形式内容伴随时间的推移有着显著的时代特征,其艺术的内涵也反映出当下的精神面貌。明代以前,岭南经济文化发展相对滞后,清代岭南文人画目前没有形成科学的理论研究体系,有些研究结果多散见于个人论集。由于社会的变革、经济发展等因素影响了文人画的发展,以至于清代文人画与宋、元、明文人画有着不一样的特征。本文通过文献研究法、实地调研法、图文分析法、案例研究法、对比研究法等方法和使用中国绘画理论对本论题展开系统的研究和探讨。通过合理的分析,梳理清代岭南文人画的历史,总结其对当代绘画的影响和启示。
[Abstract]:Literati painting is a kind of painting category which is different from courtyard painting and craftsman painting. The concept of literati painting was established in the late Ming Dynasty. Although literati painting has become a history, the spirit and theoretical essence of literati painting tradition is worthy of our study and discussion. This paper takes Lingnan literati painting in Qing Dynasty as the foothold of the study, traces back to the historical origin of literati painting in Song, Yuan and Ming dynasties, combs the history of Lingnan literati painting in Qing Dynasty, and analyzes and understands the main characteristics of Lingnan literati painting in Qing Dynasty from the objective law of the development of things. The formal content of literati painting has remarkable characteristics of the times with the passage of time, and the connotation of its art also reflects the present spiritual outlook. Before Ming Dynasty, the development of Lingnan economy and culture lagged behind. Lingnan literati painting in Qing Dynasty did not form a scientific theoretical research system at present, and some of the research results were scattered in individual collections. Due to the social change, economic development and other factors affected the development of literati painting, so that the Qing Dynasty literati painting and Song, Yuan, Ming literati painting has different characteristics. This paper makes a systematic study and discussion on this topic through the methods of literature research, field investigation, graphic and text analysis, case study, comparative research and the use of Chinese painting theory. Through reasonable analysis, this paper combs the history of Lingnan literati painting in Qing Dynasty, and summarizes its influence and enlightenment on contemporary painting.
【学位授予单位】：广东工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2479918
[Abstract]:Literati painting is a kind of painting category which is different from courtyard painting and craftsman painting. The concept of literati painting was established in the late Ming Dynasty. Although literati painting has become a history, the spirit and theoretical essence of literati painting tradition is worthy of our study and discussion. This paper takes Lingnan literati painting in Qing Dynasty as the foothold of the study, traces back to the historical origin of literati painting in Song, Yuan and Ming dynasties, combs the history of Lingnan literati painting in Qing Dynasty, and analyzes and understands the main characteristics of Lingnan literati painting in Qing Dynasty from the objective law of the development of things. The formal content of literati painting has remarkable characteristics of the times with the passage of time, and the connotation of its art also reflects the present spiritual outlook. Before Ming Dynasty, the development of Lingnan economy and culture lagged behind. Lingnan literati painting in Qing Dynasty did not form a scientific theoretical research system at present, and some of the research results were scattered in individual collections. Due to the social change, economic development and other factors affected the development of literati painting, so that the Qing Dynasty literati painting and Song, Yuan, Ming literati painting has different characteristics. This paper makes a systematic study and discussion on this topic through the methods of literature research, field investigation, graphic and text analysis, case study, comparative research and the use of Chinese painting theory. Through reasonable analysis, this paper combs the history of Lingnan literati painting in Qing Dynasty, and summarizes its influence and enlightenment on contemporary painting.
【学位授予单位】：广东工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
【参考文献】
相关硕士学位论文 前4条
1 禹淼;岭南画派“艺术革命”主张的研究[D];广西师范大学;2015年
2 贺娟;董其昌的南北宗论与明清时期文人画发展的关系[D];湖南师范大学;2014年
3 陆嘉玲;岭南画派的源流与当代广东花鸟画研究[D];广州大学;2013年
4 卢蓉;清代文人画与日本文人画之比较[D];福建师范大学;2005年
，本文编号：2479918
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