试论中国现代木刻版画语言的传承与变迁

发布时间：2019-05-18 12:06

【摘要】：木刻版画作为印刷术的衍生物，始于中国。从唐宋到明清，从初期的书籍插图到明清的木版年画，又经上世纪鲁迅先生倡导的“新兴木刻运动”发展到今天，中国木刻版画都以其独特的面貌与中国历史共成长，在特定时期发挥着特殊的历史作用，向世人展示着起伏跌宕的历史。随着中国经济与文化的快速发展，木刻版画从起源到现在已经有了一千多年的历史，它是中国传统文化的精髓。每个时代各种艺术在新的时代都会有新的内容、新的方向、新的表现形式、新的对象和新的表现技法，在新的价值观的冲击之下，中国传统版画的界限逐渐模糊，而现代版画则作为一种新的视觉艺术形式在创新自己的艺术语言,出现复制性、多样性的中国现代木刻版画。比起国画和油画，当代版画相对比下比较年轻，在国内存在的时间比较短，还有很的发展空间。从具象到抽象,从模仿到创作,从带有一定服务性能到纯粹的一种艺术表达形式，，再到形成的常态呈现和创新思维都将面临巨大的变化。艺术形式不可估量的新变化，发展的新趋势，都将体现在版画的形式绘画语言上。同时现代版画的观念性，创新性都为版画创作提供了肥沃的土壤。本文就中国现代木刻版画绘画语言的传统与变迁进行分析探讨，依据对中国现代木刻版画的发展历程进行研究，分析总结传统木刻版画的历史意义，探索对中国现代木刻版画的再认识，思考“意识”在现代木刻版画语言中的重要性。通过此次课题研究，找到木刻版画创作本身的价值，利用不同的形式、媒介都能准确、恰当的传达艺术家的意愿。从而让观赏者耳目一新，给中国的当代木刻版画带来新的气象，并明确版画语言的特殊性以及版画在当代艺术中所扮演的重要角色。
[Abstract]:Woodcut printmaking, as a derivative of printing, began in China. From the Tang and Song dynasties to the Ming and Qing dynasties, from the early book illustration to the woodblock New year painting in the Ming and Qing dynasties, and through the "new woodcut movement" advocated by Mr. Lu Xun in the last century, Chinese woodcut printmaking has grown with its unique appearance and Chinese history. It plays a special historical role in a specific period and shows the ups and downs of history to the world. With the rapid development of Chinese economy and culture, woodcut printmaking has a history of more than a thousand years from its origin to now. It is the essence of Chinese traditional culture. In each era, all kinds of art will have new contents, new directions, new forms of expression, new objects and new techniques of expression in the new era. Under the impact of new values, the boundaries of Chinese traditional printmaking are gradually blurred. As a new form of visual art, modern printmaking is innovating its own artistic language, and there are replicative and diverse Chinese modern woodcut printmaking. Compared with traditional Chinese painting and oil painting, contemporary printmaking is relatively young, exists in China for a short time, and has a lot of room for development. From figurative to abstract, from imitation to creation, from certain service performance to pure artistic expression, and then to the formation of normal presentation and innovative thinking, there will be great changes. The inestimable new changes in art form and the new trend of development will be reflected in the formal painting language of printmaking. At the same time, the concept and innovation of modern printmaking provide fertile soil for printmaking creation. This paper analyzes and discusses the tradition and changes of Chinese modern woodcut printmaking language, studies the development course of Chinese modern woodcut printmaking, and analyzes and summarizes the historical significance of traditional woodcut printmaking. To explore the re-understanding of Chinese modern woodcut printmaking and to think about the importance of "consciousness" in modern woodcut printmaking language. Through this research, find the value of woodcut printmaking itself, using different forms, the media can accurately and properly convey the wishes of artists. In order to make the viewer fresh, bring a new atmosphere to the contemporary woodcut printmaking in China, and clarify the particularity of printmaking language and the important role of printmaking in contemporary art.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217

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