铜版画印制技术与版画品质
发布时间:2019-05-18 16:44
【摘要】:版画品质就是通过版画作品体现出来的质量,这种质量是通过画面的视觉因素与精神因素体现出来的。我们知道版画是间接性的艺术,与其他艺术形式有着很大的区别。在版画的创作过程中,版画的品质是通过印制来呈现的。必须通过印制的方式、印制的技术、印制的材料共同作用,才能准确的表达出作品的精神内涵。版画品质是技术品质与艺术品质共同组成的,技术品质是艺术品质的基础,艺术品质的实现必须依靠技术品质,两者是不可分割的。铜版画的过程与程序决定了版画品质,这是铜版画特性决定的。以印痕、印迹来判断铜版画的印制效果,印制效果直接影响版画品质。版画品质离不开铜版画的印制效果,铜版画印制技术对铜版画的版画品质有着重要作用。由此可见,论述“铜版画印制与版画品质的关系”,对于我们提高版画品质,推动铜版画的发展有着十分重要的作用。我从四个方面论述了铜版画印制粗糙的原因:一、技术的认识误区——对技术与艺术的关系认识模糊,对版画的技术属性了解不够;二、概念认识的误区——把铜版画的印刷与工业印刷等的误区;三、技术精神的缺失;四、印制基础——技术水平、物质材料缺乏。如何去解决这些问题,也是我论述重点。铜版画印制绝不是一个单一行为,一定要把它放到整个的铜版画创作系统中去看,这样才有利提高版画品质。对于铜版画印制,要有创新精神,以实验的方式去寻找不同的印制方法,敢于打破固有的程序和习惯、把握偶然、利用偶然,在不断地探索中提升版画品质。要做到程序、过程中的精细化,这对提高版画品质用重要意义。改变过去铜版画印制的物质条件,这不仅是艺术家的个人问题,,这也是国家和社会的共同的责任。只有改变铜版画印制技术的现状,才能有效地提升中国铜版画的品质。
[Abstract]:The quality of printmaking is reflected through the quality of printmaking works, which is reflected by the visual and spiritual factors of the picture. We know that printmaking is an indirect art, which is very different from other forms of art. In the process of printmaking, the quality of printmaking is presented by printing. Only by means of printing, printing technology and printed materials can the spiritual connotation of the work be accurately expressed. Printmaking quality is composed of technical quality and artistic quality, technical quality is the basis of artistic quality, the realization of artistic quality must rely on technical quality, the two are inseparable. The process and procedure of copperplate determines the quality of printmaking, which is determined by the characteristics of copperprint. The printing effect of copperprint is judged by imprinting and imprinting, and the printing effect directly affects the quality of printmaking. The quality of printmaking can not be separated from the printing effect of copperprint. Copperprint printing technology plays an important role in the printmaking quality of copperprint. Thus it can be seen that discussing the relationship between printmaking and printmaking quality plays a very important role in improving the quality of printmaking and promoting the development of printmaking. I discuss the reasons for the rough printing of printmaking from four aspects: first, the misunderstanding of technology-the vague understanding of the relationship between technology and art, and the lack of understanding of the technical attributes of printmaking; Second, the misunderstanding of concept understanding-the misunderstanding of printing of copperplate and industrial printing; third, the lack of technical spirit; fourth, the basis of printing-technical level, lack of material materials. How to solve these problems is also the focus of my discussion. Copperprint printing is by no means a single behavior, must be put into the entire copperplate creation system to see, so as to improve the quality of printmaking. For copperplate printing, we should have innovative spirit, find different printing methods by experimental way, dare to break the inherent procedures and habits, grasp accident, use accident, and improve the quality of printmaking in continuous exploration. To achieve the program, the process of refinement, which is of great significance to improve the quality of printmaking. Changing the material conditions of copperplate printing in the past is not only a personal problem for artists, but also a shared responsibility of the state and society. Only by changing the present situation of copperplate printing technology, can we effectively improve the quality of Chinese copperplate printing.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J217
本文编号:2480165
[Abstract]:The quality of printmaking is reflected through the quality of printmaking works, which is reflected by the visual and spiritual factors of the picture. We know that printmaking is an indirect art, which is very different from other forms of art. In the process of printmaking, the quality of printmaking is presented by printing. Only by means of printing, printing technology and printed materials can the spiritual connotation of the work be accurately expressed. Printmaking quality is composed of technical quality and artistic quality, technical quality is the basis of artistic quality, the realization of artistic quality must rely on technical quality, the two are inseparable. The process and procedure of copperplate determines the quality of printmaking, which is determined by the characteristics of copperprint. The printing effect of copperprint is judged by imprinting and imprinting, and the printing effect directly affects the quality of printmaking. The quality of printmaking can not be separated from the printing effect of copperprint. Copperprint printing technology plays an important role in the printmaking quality of copperprint. Thus it can be seen that discussing the relationship between printmaking and printmaking quality plays a very important role in improving the quality of printmaking and promoting the development of printmaking. I discuss the reasons for the rough printing of printmaking from four aspects: first, the misunderstanding of technology-the vague understanding of the relationship between technology and art, and the lack of understanding of the technical attributes of printmaking; Second, the misunderstanding of concept understanding-the misunderstanding of printing of copperplate and industrial printing; third, the lack of technical spirit; fourth, the basis of printing-technical level, lack of material materials. How to solve these problems is also the focus of my discussion. Copperprint printing is by no means a single behavior, must be put into the entire copperplate creation system to see, so as to improve the quality of printmaking. For copperplate printing, we should have innovative spirit, find different printing methods by experimental way, dare to break the inherent procedures and habits, grasp accident, use accident, and improve the quality of printmaking in continuous exploration. To achieve the program, the process of refinement, which is of great significance to improve the quality of printmaking. Changing the material conditions of copperplate printing in the past is not only a personal problem for artists, but also a shared responsibility of the state and society. Only by changing the present situation of copperplate printing technology, can we effectively improve the quality of Chinese copperplate printing.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J217
【参考文献】
相关期刊论文 前1条
1 苏叔阳;文化的传承与地域特色[J];南京艺术学院学报(音乐与表演版);2004年01期
本文编号:2480165
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