云南甲马与山东高密扑灰年画的比较性研究
发布时间：2019-05-18 15:04
【摘要】：木版画艺术在我国有着悠久的历史,其历史渊源可以探究到明代。作为我国传统的民俗艺术形式之一,它是我国文化史上的一朵瑰丽的奇葩,在我国民俗文化史上曾经占有非常重要的地位。但是因为地域差异,文化差异等,各个地方的木版画在制作工艺、内容题材、人物塑造等的艺术方式上有很大的差别,形成了各地百花齐放的局面。 论文之所以选择云南甲马版画艺术和山东高密扑灰年画艺术作为研究对象,有感于两种版画艺术所处的生存状态。云南甲马艺术虽然偏逾云南,但是同样作为木刻版画的一种,在艺术形式上却与高密扑灰年画有着很多的相同和不同点,甲马艺术的生存现状也引起笔者的关注。高密扑灰年画已经作为国家非物质文化遗产引起人们的重视,但是面对日益发展的社会,一种僵化的艺术也不可能存世很久。在把两者做比较的同时,希望找出两者之间的精彩处,深入的研究和拓展它的艺术影响范围。 论文主要运用：田野调查方法、比较研究方法、结构分析方法来展开研究,并分为五个方面,从两者的：制作流程、内容题材、人物造型、构图法则、作画特点(以构图和色彩为例)进行了分析比较,得出了两者在艺术形式和现实意义上的异同点。在对差异性的原因进行了可行性分析的同时,对两者面对的新时期的机遇和挑战进行了分类别的解释,从而找出传统木刻版画的现代意义。并对这两种艺术从发展升级和创作保护上有了深入的了解,更好地为以后民间艺术的发展找到可探寻的规律和方法,将传统木版画艺术的民族性与时代性相结合,创造出符合时代和人民需求的艺术作品。作为民间“草根”艺术,如何在现代社会中获得新的生命力,是时代交给我们的新的课题。将传统的木刻版画艺术在现在的设计应用中扩展开来,将传统的艺术形式嫁接到现代的生活理念中,是我们现代艺术工作者的任务。希望在我们共同的努力下,传统的木版画艺术会依旧散发灿烂的光芒,为我们的生活增光添彩。
[Abstract]:Wood printmaking art has a long history in our country, and its historical origin can be explored in Ming Dynasty. As one of the traditional forms of folk art in our country, it is a magnificent and wonderful work in the history of Chinese culture, and once occupied a very important position in the history of folk culture in our country. However, because of regional differences, cultural differences and so on, there are great differences in the artistic methods of wood printmaking in various places, such as production technology, content theme, characterization and so on, which has formed a situation in which a hundred flowers bloom in all parts of the country. The reason why the paper chooses Yunnan Jiama printmaking art and Shandong Gaomi gray New year painting art as the research object, has the feeling that the two kinds of printmaking art are in the survival state. Although the art of armour and horse in Yunnan is more than that in Yunnan, as a kind of woodcut printmaking, it has many similarities and differences with Gaomi gray New year painting in art form, and the survival status of armour and horse art has also attracted the author's attention. Gaomi graze New year painting has attracted people's attention as a national intangible cultural heritage, but in the face of the growing society, a rigid art can not survive for a long time. At the same time, I hope to find out the wonderful place between the two, deeply study and expand its artistic influence scope. This paper mainly uses: field investigation method, comparative research method, structure analysis method to carry out the research, and is divided into five aspects, from the two aspects: production process, content subject matter, character modeling, composition rule, The characteristics of painting (taking composition and color as examples) are analyzed and compared, and the similarities and differences between the two in artistic form and practical sense are obtained. While analyzing the feasibility of the difference, this paper explains the opportunities and challenges faced by the two in the new period, so as to find out the modern significance of the traditional woodcut printmaking. And have a deep understanding of these two kinds of art from the development and upgrading and creative protection, better find out the laws and methods that can be explored for the development of folk art in the future, and combine the nationality and the times of the traditional wood printmaking art. Create works of art that meet the needs of the times and the people. As a folk grassroots art, how to obtain new vitality in modern society is a new subject given to us by the times. It is the task of our modern artists to expand the traditional woodcut printmaking art in the present design application and to grafting the traditional art form into the modern life concept. It is hoped that with our joint efforts, the traditional wood printmaking art will still shine brightly and add luster to our lives.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.3
，
本文编号：2480110
[Abstract]:Wood printmaking art has a long history in our country, and its historical origin can be explored in Ming Dynasty. As one of the traditional forms of folk art in our country, it is a magnificent and wonderful work in the history of Chinese culture, and once occupied a very important position in the history of folk culture in our country. However, because of regional differences, cultural differences and so on, there are great differences in the artistic methods of wood printmaking in various places, such as production technology, content theme, characterization and so on, which has formed a situation in which a hundred flowers bloom in all parts of the country. The reason why the paper chooses Yunnan Jiama printmaking art and Shandong Gaomi gray New year painting art as the research object, has the feeling that the two kinds of printmaking art are in the survival state. Although the art of armour and horse in Yunnan is more than that in Yunnan, as a kind of woodcut printmaking, it has many similarities and differences with Gaomi gray New year painting in art form, and the survival status of armour and horse art has also attracted the author's attention. Gaomi graze New year painting has attracted people's attention as a national intangible cultural heritage, but in the face of the growing society, a rigid art can not survive for a long time. At the same time, I hope to find out the wonderful place between the two, deeply study and expand its artistic influence scope. This paper mainly uses: field investigation method, comparative research method, structure analysis method to carry out the research, and is divided into five aspects, from the two aspects: production process, content subject matter, character modeling, composition rule, The characteristics of painting (taking composition and color as examples) are analyzed and compared, and the similarities and differences between the two in artistic form and practical sense are obtained. While analyzing the feasibility of the difference, this paper explains the opportunities and challenges faced by the two in the new period, so as to find out the modern significance of the traditional woodcut printmaking. And have a deep understanding of these two kinds of art from the development and upgrading and creative protection, better find out the laws and methods that can be explored for the development of folk art in the future, and combine the nationality and the times of the traditional wood printmaking art. Create works of art that meet the needs of the times and the people. As a folk grassroots art, how to obtain new vitality in modern society is a new subject given to us by the times. It is the task of our modern artists to expand the traditional woodcut printmaking art in the present design application and to grafting the traditional art form into the modern life concept. It is hoped that with our joint efforts, the traditional wood printmaking art will still shine brightly and add luster to our lives.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.3
，
本文编号：2480110
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