山水画中线对空间的塑造

发布时间：2019-05-30 11:11

【摘要】：中国山水画是我国特有的绘画艺术形式。我国在绘画中对线的运用,已经有两千多年的历史了。中国画中通过线来对空间进行塑造是中国文化精神内涵所决定的,是中华民族千百年来民族审美意识的体现。疏密有秩的对比关系,能更好的表现山石的空间关系。山水画中很多空间的表达都是用线条叠加来实现的,中国画注重以线造型的呈现方式促使画家使用线条重复叠加的方法来实现空间体积的表达,于是就出现了很多经典的线叠加方式,这些经典成为了学习中国画的教材。当一条线的形状、方向发生变化时,它所表达的空间也就发生了变化,随着线条的指向就延伸到了空间的层次。在画家陆俨少的作品里就表现的非常明显,尤其是对云水的表现。在中国古代山水画里,画家对空间的表达方式十分巧妙,他们利用线条的相互穿插和搭建,结合景物的透视变化使得画面呈现出一种奇妙的空间关系,这种空间关系最具代表的案例就是山水画中山石的“矾头”。本文通过三个部分对山水画中线对空间的塑造进行论述,首先分析中国画中的线。通过对线的形状分析,线的质感研究,明晰山水画中线的重要性。第二章通过分析各个时期具有代表性的山水画作品,研究山水画中线的表现力。第三章结合资料例证,图解山水画中线条对空间的表达方式。文章最后通过对当代山水画家创作中出现的线条对空间的塑造作出总结。
[Abstract]:Chinese landscape painting is a unique form of painting in China. Our country's line-to-line application in painting has two thousand years of history. The creation of the space through the line in Chinese painting is determined by the connotation of Chinese cultural spirit, which is a reflection of the national aesthetic consciousness of the Chinese nation for centuries. The relationship between the density and the rank can better show the spatial relationship of the mountain stone. The expression of a lot of space in the landscape painting is realized by the superposition of lines, and the traditional Chinese painting focuses on the method of the presentation of the line shape to cause the painter to repeat the superposition method by using the lines to realize the expression of the space volume, so that a plurality of classical line superposition modes are realized, These classics become the teaching materials for learning Chinese painting. When the shape and direction of a line are changed, the space it expresses is also changed, and the direction of the line extends to the level of the space. In the works of the painter's land, the performance of the works is very obvious, especially the performance of the cloud water. in ancient Chinese landscape painting, that artist's expression of the space is very clever, they use the interpenetration and construction of the line, and combine the perspective change of the scene to make the picture show a wonderful spatial relationship, The most representative case of this spatial relationship is the "Alumen head" of the mountain stone in the landscape painting. This paper discusses the shape of the space in the middle of the landscape painting through three parts, first analyzes the line in the Chinese painting. Through the shape analysis of the line, the study of the texture of the line and the importance of the center line of the landscape painting. The second chapter is to study the expressive force of the middle-line of the landscape painting by analyzing the representative landscape painting works in various times. In the third chapter, the expression of line-to-space in landscape painting is illustrated. In the end, the author sums up the shape of the space in the creation of the contemporary landscape painting.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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