南宋山水画对日本汉画的影响

发布时间：2019-05-30 07:34

【摘要】：日本汉画是镰仓、室町时期的一种重要的绘画形式,它在发展过程中得益于中国南宋绘画的影响,无论是题材、图式、技法无不折射出中国南宋绘画的特色,经过对中国南宋绘画的移植、消化、吸纳直到发展,从而创造出日本民族特色的汉画形式。镰仓、室町时期,南宋山水画在日本风靡一时,它能够在日本大力发展离不开幕府将军的支持。另外,禅宗文化的传入与日本人的审美习惯等因素也是导致日本汉画吸收和借鉴南宋山水画的重要原因。南宋山水画能够在日本传播大概有三种途径:中日贸易的发展;禅僧画家频繁往来于中日两国;幕府将军对南宋绘画的大量收集。南宋山水画对日本汉画的影响主要体现在以下几个方面:在构图上,南宋马远、夏圭的边角构图深受日本欢迎;在技法上,既有马、夏的大斧劈皴,还有日本人喜爱的禅宗墨绘形式;在艺术母题上,中国禅宗所喜绘的潇湘八景题材正好符合了日本人的审美趣味,以至日本汉画出现了大量以八景为母题的绘画作品。本文对“南宋山水画对日本汉画之影响”研究,将有助于加深两国绘画艺术的相互了解,促进中日文化艺术的进一步交流和发展。
[Abstract]:Japanese Chinese painting is an important form of painting in the Kakura, Shiku period. It benefited from the influence of Chinese Southern Song Dynasty painting in the process of development. Whether it is the subject matter, schema, and techniques, it reflects the characteristics of Chinese Southern Song Dynasty painting. Through the transplantation, digestion, absorption and development of Chinese painting in the Southern Song Dynasty of China, the form of Chinese painting with Japanese national characteristics was created. Kakura, during the Sakamachi period, the Southern Song Dynasty landscape painting was popular in Japan, it can not be developed without the support of the opening government general. In addition, the introduction of Zen culture and the aesthetic habits of the Japanese are also the important reasons why Japanese Chinese painting absorbs and draws lessons from the landscape painting of the Southern Song Dynasty. There are about three ways in which landscape painting can be spread in Japan: the development of trade between China and Japan; the frequent exchanges between Zen monk painters and China and Japan; and the large collection of paintings by shogunate generals in the Southern Song Dynasty. The influence of landscape painting in the Southern Song Dynasty on Japanese Chinese painting is mainly reflected in the following aspects: in the composition, the edge and corner composition of Ma Yuan and Xia Gui in the Southern Song Dynasty is popular in Japan; In terms of techniques, there are horses, summer axe chapped, as well as the Japanese favorite Zen ink painting form; In the motif of art, the theme of Xiaoxiang eight scenes painted by Chinese Zen is just in line with the aesthetic taste of the Japanese, so that a large number of paintings with eight scenes as the motif have appeared in Japanese Chinese painting. In this paper, the study of the influence of landscape painting on Japanese Chinese painting in the Southern Song Dynasty will help to deepen the mutual understanding of painting art between the two countries and promote the further exchange and development of culture and art between China and Japan.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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