论文人精神在当代山水画教学的重要性
[Abstract]:Landscape painting, as the name implies, is a kind of painting with mountains, trees and other natural things as the main body of painting. It originated in Wei and Jin dynasties, initially attached to figure painting, as its background; since Sui and Tang dynasties, gradually independent development; to the peak of the Song Dynasty, and replaced figure painting as the mainstream of traditional Chinese painting. However, as the most powerful spokesman of Chinese traditional painting, the development of landscape painting in today's society is difficult, and even has a retrogression trend. In the teaching of art colleges and universities in China and the national art exhibition, which claims to best reflect the appearance of contemporary Chinese art, figure painting, especially meticulous figure painting, has a great tendency to dominate the world. On the contrary, the proportion of landscape painting is getting smaller and smaller, even to the point where it is not as good as flower and bird painting. In the face of this phenomenon, people can not help thinking, is it the end of the historical mission of landscape painting or the lack of a key factor to promote its development in our time? Based on the macro analysis of the development of Chinese painting, this paper finds that the "literati spirit" is the key to the development of landscape painting and even the whole Chinese painting. This paper also analyzes the reasons for the formation of its spirit and puts forward the idea of reshaping the "literati spirit" in the atmosphere of teaching in colleges and universities in order to further develop landscape painting.
【学位授予单位】:湖北美术学院
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J212-4
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