中国山水画艺术风格的地域特色

发布时间：2019-06-08 10:52

【摘要】：中国文化、乃至世界文化，其地域性差别都是非常大的。作为中国文化的重要组成部分，中国山水画也不例外，历来都有“南北宗”论之说，也是具有极强地域特色的——山水画具有北雄南秀、深厚壮阔、淳厚质朴之美等特点。南北方的气候、食物、土壤、地形都有极大的差异，在此差异的长期的影响之下，文化基因的传承和沉淀也极大地影响了中国南北文化的差异。作为人文地理秘密塑造出的“图腾”——涂满各色油彩的标志性地域文化，历史名人从来就不外在于人文地理的母胎。画家与其艺术作品的地域特色，也可以大体划分为南北两大派系。在下面的文章中，我们将例举中国山水画史中部分优秀画家的出生、成长以及其长期活动的地点对其身体和思想上的影响，更要重点分析其身处的地域所涵盖的文化知识、人文思想等对画家本身所造成的至关重要的影响以及其艺术作品所表现出的特殊的地域风情、艺术创作技法和对外化自然所提供的素材的内化提炼、升华。山水画是中国绘画中一种重要的画科，从“山水”二字上便可以理解一二，一般系指以描绘自然景物为主要对象的一种绘画，包括自然景观中一切可以观察到的物象——山石、树木、云水、房屋建筑，交通工具，娱乐项目，鸟兽人物等点景，均可入山水画，在漫长的历史承袭中，艺术家将“山水”二字作为其概括。本文通过列举中国山水画史上一些有重要贡献的山水画家的师承观念、艺术作品进行简要的分析，以及简要的列举分析了中国山水画艺术创作所涉及到的艺术媒介，来从不同的侧面论证地域和艺术这门博大精深的学科之间的联系，从而使读者能够简要的了解地域的差异对于艺术家和其所创作的艺术作品之间所具有的千丝万缕的联系，这种种的联系表明，所有的艺术作品都是具有其独特的地域特色的，而艺术家本体更是离不开地域所赋予的地域气息，这也就使读者能够明确的解读为什么不同地域所孕育出的艺术作品有着如此巨大的差异，而艺术家本身又有着如此巨大的差异。
[Abstract]:Chinese culture, and even the world culture, its regional difference is very big. As an important part of Chinese culture, Chinese landscape painting is no exception. There has always been the theory of "South and North Zong", and it also has strong regional characteristics. Landscape painting has the characteristics of Nanxiu, profound and magnificent, simple and simple beauty and so on. There are great differences in climate, food, soil and topography between the north and the south. Under the long-term influence of this difference, the inheritance and precipitation of cultural genes also greatly affect the cultural differences between the north and the south of China. As a "totem" created by the secret of human geography, the iconic regional culture painted with all kinds of colors has never been confined to the mother fetus of human geography. Painters and the regional characteristics of their works of art can also be roughly divided into the north and south. In the following article, we will give an example of the birth and growth of some outstanding painters in the history of Chinese landscape painting, as well as the physical and ideological impact of the location of their long-term activities, and focus on the cultural knowledge covered by the region in which they are located. Humanistic thought has a vital influence on the painter himself, as well as the special regional customs of his works of art, the techniques of artistic creation and the internal extraction and sublimation of the materials provided by the externalization of nature. Landscape painting is an important painting subject in Chinese painting, which can be understood from the word "landscape". It generally refers to a kind of painting with the description of natural scenery as the main object, including all the observable objects in the natural landscape-mountain stone. Trees, cloud water, housing construction, means of transportation, entertainment, birds and animals, etc., can be used as landscape painting. In the long history, artists use the word "landscape" as its summary. This paper briefly analyzes the concept of teachers and artistic works of some landscape painters who have made important contributions in the history of Chinese landscape painting, and briefly enumerates and analyzes the artistic media involved in the artistic creation of Chinese landscape painting. To demonstrate the relationship between region and art from different aspects, so that readers can briefly understand the inextricable relationship between regional differences and their works of art. These connections show that all the works of art have their unique regional characteristics, and the artist Noumenon can not be separated from the regional atmosphere given by the region. This enables readers to clearly understand why there are so great differences in the works of art given birth to different regions, and the artists themselves have such great differences.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】