中国当代古典写实风油画的多元创作取向研究
发布时间：2019-06-19 08:50
【摘要】：自85新潮美术以来,社会发生这翻天覆地的变化,国门的继续开放,国内外的各种思潮流派碰撞交融到一起,由此中国形成了一个多元并存的艺术发展时期。中国古典写实风油画也在这多元语境下得到了长足的发展,并呈现出多元面貌。艺术家们有选择的继承着传统,使其与当下事物、文化精神相结合,创造出具有当代特色价值的作品。每位古典写实风画家都力图找到与自己情感体验相契合的艺术语言,追寻具有自身特点的艺术价值。本文的研究分为三章:第一章对古典写实油画在国内外各个时期的发展特点进行了分析,可以知道人们对古典艺术在不同的历史时期、不同的地域和文化背景下的表现和理解是有差异的。并对本文论述的古典写实风油画的概念进行界定。第二章主要举出范例对古典写实风油画家中具有代表性的几位艺术家进行分析论述,让我们更加清晰的认识到古典写实风油画,了解到每位古典写实风画家独特的艺术风格以及呈现多元面貌的古典写实风油画这一现象。第三章是本文的重点,对中国古典写实风油画价值取向多元化进行思考,主要对这种多元化体现出的精神品格和反映艺术家个体体验的独特性进行探讨,并得出论点:精神内涵与作品的表现有着非常紧密的联系,有什么样的精神内涵就有什么样的行为价值,技艺很多时候也就是一个画家精神内质的外在呈现。我们在学习和创作古典写实风油画的过程中,对技艺方面加以重视的同时,应该更为清晰与深刻的体现古典写实油画所要体现精神内涵。保持兼收并蓄的态度,科学的认识中国当代人文精神与中国传统文化。也对促使这种多元面貌形成的因素进行了探究,总结出个体差异、时代文化背景、承袭关系、生活体验、题材和内容所表现出的精神内涵差异等主客观因素是促使古典写实风油画多元面貌的形成主要原因,以此让我们更加深入的了解认识古典写实风油画,吸取经验从而指导我们在古典写实油画研究创作中探索。自油画被播种于中国土地上,就开始受到中国土壤和雨水的浸润,便与中国文化精神联系在一起了,也就被赋予了民族特色。从而形成了有较高格调且附有中国文化精神内涵的作品。认真审视自然,深入社会生活中去切身体验和感受,关注生活关注社会。这样也就形成了艺术在不同时代的精神追求与思想文化内涵。只有这样我们创作出来作品才能体现在当代中国文化精神背景下的时代精神。不能只是把古典写实绘画当做一种视觉观念和对客观表象的描摹。古典写实表现的是真实情感体验上的真实,是艺术创作者自身的思想表露与情感表达。我们身处当下,应该用自己的味觉去尝一尝这个世界的味道,即使生活中打动我们的事物已被很多人挖掘过,但只要我们能找到一个好的切入点去体验和反复的咀嚼品味这一事物,就有可能挖掘出不一样的属于自己的东西。
[Abstract]:Since the modern art of 85, the change of the society, the continued opening of the national gate and the collision of various schools of thought at home and abroad, thus form a multi-element co-existence of the period of art development. The Chinese classical realistic style oil painting has made great development in this multi-context, and presents a multi-component face. The artists have the choice to inherit the tradition, to combine it with the present and the cultural spirit, to create the works with contemporary characteristic value. Each of the classical and realistic artists is trying to find the artistic language which is in agreement with his emotional experience, and to pursue the artistic value with its own characteristics. The research of this paper is divided into three chapters: the first chapter analyzes the development characteristics of the classical realistic oil painting at home and abroad, and can know that the performance and understanding of the classical art in different historical periods and different regional and cultural background are different. And the concept of the classical realistic wind oil painting discussed in this paper is defined. The second chapter is to give an example to the analysis and discussion of the representative several artists in the classical realistic style oil painter, let us realize the classical realistic style oil painting more clearly, To understand the unique artistic style of each of the classical realistic wind artists and the phenomenon of the classical realistic wind oil painting which presents the multi-component face. The third chapter is the focus of this paper, to think about the diversification of the value orientation of the Chinese classical realistic style oil painting, which mainly discusses the spiritual character and the uniqueness of the individual experience of the artist, and draws the following points: The spirit content has very close relation with the performance of the works, what kind of spiritual connotation is, what kind of behavior value, the skill many times is also a painter's inner quality outside the present. In the process of study and creation of the classical realistic wind oil painting, we should pay more attention to the skill, and it should be more clear and profound in the spirit of the classical realistic oil painting. The attitude and the scientific understanding of the Chinese contemporary humanistic spirit and the Chinese traditional culture are maintained. The main factors, such as individual difference, the cultural background of the times, the relationship between the inheritance, the life experience, the subject and the content, are also discussed. The main objective factors are to promote the formation of the multi-component face of the classical realistic style oil painting. In this way, we should be more in-depth to understand the classical realistic style oil painting, draw lessons and guide us to explore in the study of the classical realistic oil painting. Since the oil painting is seeded on Chinese land, the infiltration of Chinese soil and rain is started, and it is linked with the Chinese cultural spirit, and has been endowed with national characteristics. So as to form a work with a high style and with Chinese cultural spirit content. Careful examination of nature, in-depth social life, to experience and feel, to pay attention to the society of life. This also forms the spiritual pursuit and the ideological and cultural connotation of art in different times. Only in this way, the works can be embodied in the spirit of the times in the background of contemporary Chinese culture. It is not only to use the classical realistic painting as a visual concept and to trace the objective representation. The classical realistic expression is the true of the real emotional experience, and is the expression of the artistic creator's own thoughts and feelings. When we are in the present, we should try to taste the taste of the world with their taste, even if the things that impress us in life have been excavated by many, but as long as we can find a good point of entry to experience and repeat the taste of the world, It's possible to mine something that doesn't belong to itself.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
本文编号：2502230
[Abstract]:Since the modern art of 85, the change of the society, the continued opening of the national gate and the collision of various schools of thought at home and abroad, thus form a multi-element co-existence of the period of art development. The Chinese classical realistic style oil painting has made great development in this multi-context, and presents a multi-component face. The artists have the choice to inherit the tradition, to combine it with the present and the cultural spirit, to create the works with contemporary characteristic value. Each of the classical and realistic artists is trying to find the artistic language which is in agreement with his emotional experience, and to pursue the artistic value with its own characteristics. The research of this paper is divided into three chapters: the first chapter analyzes the development characteristics of the classical realistic oil painting at home and abroad, and can know that the performance and understanding of the classical art in different historical periods and different regional and cultural background are different. And the concept of the classical realistic wind oil painting discussed in this paper is defined. The second chapter is to give an example to the analysis and discussion of the representative several artists in the classical realistic style oil painter, let us realize the classical realistic style oil painting more clearly, To understand the unique artistic style of each of the classical realistic wind artists and the phenomenon of the classical realistic wind oil painting which presents the multi-component face. The third chapter is the focus of this paper, to think about the diversification of the value orientation of the Chinese classical realistic style oil painting, which mainly discusses the spiritual character and the uniqueness of the individual experience of the artist, and draws the following points: The spirit content has very close relation with the performance of the works, what kind of spiritual connotation is, what kind of behavior value, the skill many times is also a painter's inner quality outside the present. In the process of study and creation of the classical realistic wind oil painting, we should pay more attention to the skill, and it should be more clear and profound in the spirit of the classical realistic oil painting. The attitude and the scientific understanding of the Chinese contemporary humanistic spirit and the Chinese traditional culture are maintained. The main factors, such as individual difference, the cultural background of the times, the relationship between the inheritance, the life experience, the subject and the content, are also discussed. The main objective factors are to promote the formation of the multi-component face of the classical realistic style oil painting. In this way, we should be more in-depth to understand the classical realistic style oil painting, draw lessons and guide us to explore in the study of the classical realistic oil painting. Since the oil painting is seeded on Chinese land, the infiltration of Chinese soil and rain is started, and it is linked with the Chinese cultural spirit, and has been endowed with national characteristics. So as to form a work with a high style and with Chinese cultural spirit content. Careful examination of nature, in-depth social life, to experience and feel, to pay attention to the society of life. This also forms the spiritual pursuit and the ideological and cultural connotation of art in different times. Only in this way, the works can be embodied in the spirit of the times in the background of contemporary Chinese culture. It is not only to use the classical realistic painting as a visual concept and to trace the objective representation. The classical realistic expression is the true of the real emotional experience, and is the expression of the artistic creator's own thoughts and feelings. When we are in the present, we should try to taste the taste of the world with their taste, even if the things that impress us in life have been excavated by many, but as long as we can find a good point of entry to experience and repeat the taste of the world, It's possible to mine something that doesn't belong to itself.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
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