宋元时期山水画的审美取向
发布时间：2019-06-19 23:04
【摘要】：山水画是中国传统水墨画的重要分支，是以自然山川为主要描写对象的画种。山水画从魏晋南北朝时期出现，到隋唐时发展为独立的画种，在宋元时期则成为中国水墨画的重要画种之一，发展渐至成熟。宋元山水画是山水画发展历史中的一座高峰，宋元山水以其个性化的笔墨技法和文化底蕴形成了画面的特质，表现出画家的精神气韵和审美思维。从山水画理论来源来看，中国传统文化中的老庄哲学、儒家哲学以及佛家思想等对山水画的艺术形成奠定了坚实的理论基础，对于宋元山水画来说，道家思想和禅宗思想对宋元山水画的审美取向影响最大。从山水画审美艺术观的形成背景来看，不同的人对山水也会产生不同的想法，，由此形成体现独特人文情怀的山水画曲美取向。从山水画创作的笔墨审美因素来看，笔墨诉诸于纸上，描写的既是自然的山水，也是山水体现的人之性情。随着中国画的迅速发展，当今的山水画呈现出多元化的发展面貌。如果在现有山水画的创作中融入宋元山水画的绘画技巧和审美思维，将会给我国当代山水画的发展进步提供可借鉴的空间，也会直接促进中国当代山水画的发展。所以，本文以宋元时期山水画的审美取向为对象进行研究。 本文采取文献研究法、举例分析法以及整体归纳概括的方法分析山水画的艺术表现、山水画的技法和美学思想等方面的材料，并对以下内容进行重点研究：一是研究中国宋元山水画审美艺术观形成的背景因素；二是研究中国传统文化艺术精神对其审美取向的影响；三是研究宋元山水画美学的独特魅力；四是研究中国宋元山水画的美学价值意义及其对当代山水画发展的启示。总之，本文的研究突出中国宋元时期山水画美学观念的独特韵味，以及在山水画中突破创新的重要性，努力构建起一个清晰完整的学习、借鉴、总结宋元山水画的知识体系，并在此基础之上试图对未来山水画艺术的发展上作出可行性探索。
[Abstract]:Landscape painting is an important branch of Chinese traditional ink painting, and it is a kind of painting with natural mountains and rivers as the main description object. Landscape painting developed into an independent painting species from Wei, Jin, Southern and Northern dynasties to Sui and Tang dynasties, and became one of the important types of Chinese ink painting in Song and Yuan dynasties. Landscape painting in Song and Yuan dynasties is a peak in the development history of landscape painting. The landscape in Song and Yuan dynasties formed the characteristics of the picture with its individualized pen and ink techniques and cultural details, showing the spiritual charm and aesthetic thinking of the painter. From the theoretical source of landscape painting, Laozhuang philosophy, Confucian philosophy and Buddhist thought in Chinese traditional culture have laid a solid theoretical foundation for the artistic formation of landscape painting. For landscape painting in Song and Yuan dynasties, Taoist thought and Zen thought have the greatest influence on the aesthetic orientation of landscape painting in Song and Yuan dynasties. From the background of the formation of the aesthetic art view of landscape painting, different people will also have different ideas on landscape, thus forming the beauty orientation of landscape painting which embodies the unique humanistic feelings. From the aesthetic factors of landscape painting creation, pen and ink resort to paper, describing not only the natural landscape, but also the human temperament embodied in the landscape. With the rapid development of Chinese painting, today's landscape painting presents a diversified development. If the painting skills and aesthetic thinking of Song and Yuan dynasties are integrated into the creation of landscape painting, it will provide reference space for the development and progress of contemporary landscape painting in China, and will also directly promote the development of contemporary Chinese landscape painting. Therefore, this paper takes the aesthetic orientation of landscape painting in Song and Yuan dynasties as the object of study. This paper adopts the methods of literature research, example analysis and overall induction to analyze the artistic expression of landscape painting, the techniques and aesthetic thought of landscape painting, and focuses on the following contents: first, the background factors for the formation of aesthetic art view of Chinese landscape painting in Song and Yuan dynasties, the second is to study the influence of Chinese traditional culture and art spirit on its aesthetic orientation, the second is to study the influence of Chinese traditional culture and art spirit on its aesthetic orientation, and to study the background factors of the formation of aesthetic art view of landscape painting in Song and Yuan dynasties. The third is to study the unique charm of Song and Yuan landscape painting aesthetics; the fourth is to study the aesthetic value significance of Chinese Song and Yuan landscape painting and its enlightenment to the development of contemporary landscape painting. In a word, the research of this paper highlights the unique charm of the aesthetic concept of landscape painting in Song and Yuan dynasties, and the importance of breaking through innovation in landscape painting, and tries to construct a clear and complete study, draw lessons from, summarize the knowledge system of landscape painting in Song and Yuan dynasties, and on this basis, try to explore the feasibility of the development of landscape painting art in the future.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
[Abstract]:Landscape painting is an important branch of Chinese traditional ink painting, and it is a kind of painting with natural mountains and rivers as the main description object. Landscape painting developed into an independent painting species from Wei, Jin, Southern and Northern dynasties to Sui and Tang dynasties, and became one of the important types of Chinese ink painting in Song and Yuan dynasties. Landscape painting in Song and Yuan dynasties is a peak in the development history of landscape painting. The landscape in Song and Yuan dynasties formed the characteristics of the picture with its individualized pen and ink techniques and cultural details, showing the spiritual charm and aesthetic thinking of the painter. From the theoretical source of landscape painting, Laozhuang philosophy, Confucian philosophy and Buddhist thought in Chinese traditional culture have laid a solid theoretical foundation for the artistic formation of landscape painting. For landscape painting in Song and Yuan dynasties, Taoist thought and Zen thought have the greatest influence on the aesthetic orientation of landscape painting in Song and Yuan dynasties. From the background of the formation of the aesthetic art view of landscape painting, different people will also have different ideas on landscape, thus forming the beauty orientation of landscape painting which embodies the unique humanistic feelings. From the aesthetic factors of landscape painting creation, pen and ink resort to paper, describing not only the natural landscape, but also the human temperament embodied in the landscape. With the rapid development of Chinese painting, today's landscape painting presents a diversified development. If the painting skills and aesthetic thinking of Song and Yuan dynasties are integrated into the creation of landscape painting, it will provide reference space for the development and progress of contemporary landscape painting in China, and will also directly promote the development of contemporary Chinese landscape painting. Therefore, this paper takes the aesthetic orientation of landscape painting in Song and Yuan dynasties as the object of study. This paper adopts the methods of literature research, example analysis and overall induction to analyze the artistic expression of landscape painting, the techniques and aesthetic thought of landscape painting, and focuses on the following contents: first, the background factors for the formation of aesthetic art view of Chinese landscape painting in Song and Yuan dynasties, the second is to study the influence of Chinese traditional culture and art spirit on its aesthetic orientation, the second is to study the influence of Chinese traditional culture and art spirit on its aesthetic orientation, and to study the background factors of the formation of aesthetic art view of landscape painting in Song and Yuan dynasties. The third is to study the unique charm of Song and Yuan landscape painting aesthetics; the fourth is to study the aesthetic value significance of Chinese Song and Yuan landscape painting and its enlightenment to the development of contemporary landscape painting. In a word, the research of this paper highlights the unique charm of the aesthetic concept of landscape painting in Song and Yuan dynasties, and the importance of breaking through innovation in landscape painting, and tries to construct a clear and complete study, draw lessons from, summarize the knowledge system of landscape painting in Song and Yuan dynasties, and on this basis, try to explore the feasibility of the development of landscape painting art in the future.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
【共引文献】
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