明清贵州书画艺术研究
发布时间：2019-06-20 03:29
【摘要】：书画作为中华文化的重要组成部分，其发展史上溯原始社会，下至当代，可谓源远流长。在历史上，贵州被称为“蛮夷”之地，书画的发展过程相对比较缓慢，明代之前贵州书画家无作品流传至今，故多无从考证。明太祖永乐十一年，中央在贵州设置布政使司，贵州正式成为省一级的行政单位。此后，有关贵州书画家的记录逐步增多，贵州书画艺术发展的脉络也有了愈加清晰的勾画。贵州自建省以来，经济上虽然长期落后于全国大部分地区，在文化上却并非后知后觉。真正意义上的贵州书画艺术的发展时间不长，但影响却非常深远。 在研究文献材料相对匮乏的情况下，坚持以客观公正的研究态度，通过多方收集史料、对比分析，本文拟从四个方面对贵州书画艺术进行论述： 第一部分，介绍了研究明清贵州书画艺术的意义及研究现状，在此基础上，，介绍本文的研究方法及创新之处。 第二部分，从书画艺术的传承、教育与书画艺术的发展、精英阶层人物对书画艺术的推动和移民文化在书画艺术中的标本意义等四个方面，论述明清贵州书画艺术发展的背景。 第三部分，从中国书画的艺术精神、浓郁的地域特色、墙内开花墙外红以及少数民族书画异军突起等方面论述明清贵州书画艺术的特点。 第四部分，此部分探讨明清贵州书画艺术对诗歌、戏剧及民国书画家的影响。
[Abstract]:As an important part of Chinese culture, calligraphy and painting have a long history from primitive society to contemporary. In history, Guizhou is known as the "barbarian" land, the development process of calligraphy and painting is relatively slow, Guizhou painters did not have works until now before the Ming Dynasty, so there is no textual research. Ming Taizu Yongle 11 years, the central government in Guizhou set up political envoys, Guizhou officially became a provincial administrative unit. Since then, the records of Guizhou calligraphy and painting artists have gradually increased, and the context of the development of Guizhou calligraphy and painting art has also become more and more clearly sketched. Since the establishment of Guizhou Province, although it has lagged behind most parts of the country for a long time, it is not culturally backward. In the real sense, the development of Guizhou calligraphy and painting art is not long, but the influence is very far-reaching. In the case of relative shortage of literature materials, adhere to the objective and fair research attitude, through the collection of historical data, comparative analysis, this paper intends to discuss Guizhou calligraphy and painting art from four aspects: the first part, introduces the significance and research status of Guizhou calligraphy and painting art in Ming and Qing dynasties, on this basis, introduces the research methods and innovations of this paper. The second part discusses the background of the development of calligraphy and painting art in Guizhou in Ming and Qing dynasties from four aspects: the inheritance of calligraphy and painting art, the development of education and painting art, the promotion of calligraphy and painting art by elite characters and the specimen significance of immigration culture in calligraphy and painting art. The third part discusses the characteristics of Guizhou calligraphy and painting art in Ming and Qing dynasties from the aspects of the artistic spirit of Chinese calligraphy and painting, the rich regional characteristics, the red inside the wall and the emergence of minority calligraphy and painting. The fourth part discusses the influence of Guizhou calligraphy and painting art on poetry, drama and painters in the Republic of China in Ming and Qing dynasties.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
本文编号：2502881
[Abstract]:As an important part of Chinese culture, calligraphy and painting have a long history from primitive society to contemporary. In history, Guizhou is known as the "barbarian" land, the development process of calligraphy and painting is relatively slow, Guizhou painters did not have works until now before the Ming Dynasty, so there is no textual research. Ming Taizu Yongle 11 years, the central government in Guizhou set up political envoys, Guizhou officially became a provincial administrative unit. Since then, the records of Guizhou calligraphy and painting artists have gradually increased, and the context of the development of Guizhou calligraphy and painting art has also become more and more clearly sketched. Since the establishment of Guizhou Province, although it has lagged behind most parts of the country for a long time, it is not culturally backward. In the real sense, the development of Guizhou calligraphy and painting art is not long, but the influence is very far-reaching. In the case of relative shortage of literature materials, adhere to the objective and fair research attitude, through the collection of historical data, comparative analysis, this paper intends to discuss Guizhou calligraphy and painting art from four aspects: the first part, introduces the significance and research status of Guizhou calligraphy and painting art in Ming and Qing dynasties, on this basis, introduces the research methods and innovations of this paper. The second part discusses the background of the development of calligraphy and painting art in Guizhou in Ming and Qing dynasties from four aspects: the inheritance of calligraphy and painting art, the development of education and painting art, the promotion of calligraphy and painting art by elite characters and the specimen significance of immigration culture in calligraphy and painting art. The third part discusses the characteristics of Guizhou calligraphy and painting art in Ming and Qing dynasties from the aspects of the artistic spirit of Chinese calligraphy and painting, the rich regional characteristics, the red inside the wall and the emergence of minority calligraphy and painting. The fourth part discusses the influence of Guizhou calligraphy and painting art on poetry, drama and painters in the Republic of China in Ming and Qing dynasties.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
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