中国现当代写意性油画中的抽象因素
发布时间：2019-06-20 06:32
【摘要】：众所周知,油画并非起源于中国。油画自传入中国之后,就不可避免地与国内本土写意艺术观念发生一系列的碰撞、融汇和转化,逐渐形成了能够体现中国人真实的精神状态,并蕴含着画家的社会本土责任感和民族文化认同感的写意性油画。 当我们把注意力投向中国写意性油画的具体创造上时,中国传统的写意精神与艺术中普遍存在的抽象因素两者之间交叉、重合的关系就格外地突显。如何以理性的头脑融汇中西,使观者能够在理解中西差异的基础上坚守民族优良传统,发扬写意精神,笔者认为这仍是中国当代油画所面临的一个问题。 然而在艺术发展的趋势从现代艺术的发展自具象转向抽象,再到当代艺术朝向多元化发展的同时,虽然目前国内已有大量写意性油画作品表现出对抽象因素不同程度的运用,但一直以来我国对抽象理论的归纳、总结还不够完善。很多人对抽象并不理解,并没有感悟到抽象绘画体现出纯粹的抽象化的同时,还渗透着艺术家极大的感情和心智,展示出他们对诉求作品内在的精神和建构艺术本体的渴望。反而认为西方的抽象主义艺术表现出的是“最大限度的糊涂和混乱”,是糊弄艺术的幌子。即使如此,西方绘画从现代主义发展到后现代主义,从抽象艺术到观念艺术,抽象的魅力却始终未减。 因为艺术的风格的发展变化不仅受制于社会、历史的变化,在很大程度上还总是被人内在的逻辑演化以及艺术内在的发展规律所影响。所以随着近年来国内对抽象问题展开了不断深入地研究,我们发现西方现代抽象艺术对抽象因素进行了很大程度上的运用,这对当下中国油画的发展有着非常多的启示。所以本文试图站在更为全面的现当代角度,用图像学兼以文化学、社会学等方法,对不同时期内中国写意性油画具有典型性代表的画家作品中所体现的抽象因素进行分析。且通过分析和研究构成艺术语言的抽象因素所蕴含的精神来帮助更多的人理解抽象油画与写意性油画的不同,打开艺术欣赏的窗口。并说明中国写意性油画注重通过使用油画艺术中的抽象因素,展示出中国特色的艺术抽象等观点,从而使我们通过对油画艺术中抽象因素的理解,得以体会艺术的文化内涵,同时激发表现作品主题内容的创造力。
[Abstract]:As we all know, oil painting did not originate in China. Since it was introduced into China, oil painting has inevitably collided with the concept of freehand brushwork art in China, merged and transformed, and gradually formed a freehand oil painting which can reflect the real spiritual state of the Chinese people and contains the painter's sense of social responsibility and national cultural identity. When we pay attention to the concrete creation of Chinese freehand brushwork oil painting, the relationship between Chinese traditional freehand brushwork spirit and abstract factors in art is particularly prominent. How to integrate China and the West with a rational mind, so that the viewer can adhere to the fine national tradition and carry forward the spirit of freehand brushwork on the basis of understanding the differences between China and the West, the author believes that this is still a problem faced by Chinese contemporary oil painting. However, while the development trend of art has changed from the development of modern art to abstraction, and then to the pluralistic development of contemporary art, although a large number of freehand oil painting works in China have shown different degrees of application of abstract factors, the induction and summary of abstract theory in our country has not been perfect all the time. Many people do not understand abstraction, do not realize that abstract painting reflects pure abstraction, but also permeate the great feelings and minds of artists, showing their desire for the inner spirit of the work and the construction of artistic Noumenon. On the contrary, it is believed that the abstract art in the West shows "maximum confusion and confusion" and is a cover for fooling art. Even so, the charm of abstraction has not been reduced since the development of western painting from modernism to postmodernism, from abstract art to conceptual art. Because the development and change of the style of art is not only restricted by the changes of society and history, but also to a large extent, it is always affected by the internal logical evolution of human beings and the inherent law of development of art. Therefore, with the continuous in-depth study of abstract issues in China in recent years, we find that western modern abstract art has used abstract factors to a great extent, which has a lot of enlightenment to the development of Chinese oil painting at present. Therefore, this paper attempts to analyze the abstract factors embodied in the works of painters with typical representatives of Chinese freehand brushwork in different periods by means of graphics and culturology and sociology from a more comprehensive modern and contemporary point of view. And by analyzing and studying the spirit of the abstract factors that make up the artistic language, we can help more people understand the difference between abstract oil painting and freehand oil painting, and open the window of art appreciation. It also shows that Chinese freehand brushwork oil painting pays attention to the use of abstract factors in oil painting art to show the artistic abstraction with Chinese characteristics, so that through the understanding of abstract factors in oil painting art, we can understand the cultural connotation of art and stimulate the creativity of the subject content of the works at the same time.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2503010
[Abstract]:As we all know, oil painting did not originate in China. Since it was introduced into China, oil painting has inevitably collided with the concept of freehand brushwork art in China, merged and transformed, and gradually formed a freehand oil painting which can reflect the real spiritual state of the Chinese people and contains the painter's sense of social responsibility and national cultural identity. When we pay attention to the concrete creation of Chinese freehand brushwork oil painting, the relationship between Chinese traditional freehand brushwork spirit and abstract factors in art is particularly prominent. How to integrate China and the West with a rational mind, so that the viewer can adhere to the fine national tradition and carry forward the spirit of freehand brushwork on the basis of understanding the differences between China and the West, the author believes that this is still a problem faced by Chinese contemporary oil painting. However, while the development trend of art has changed from the development of modern art to abstraction, and then to the pluralistic development of contemporary art, although a large number of freehand oil painting works in China have shown different degrees of application of abstract factors, the induction and summary of abstract theory in our country has not been perfect all the time. Many people do not understand abstraction, do not realize that abstract painting reflects pure abstraction, but also permeate the great feelings and minds of artists, showing their desire for the inner spirit of the work and the construction of artistic Noumenon. On the contrary, it is believed that the abstract art in the West shows "maximum confusion and confusion" and is a cover for fooling art. Even so, the charm of abstraction has not been reduced since the development of western painting from modernism to postmodernism, from abstract art to conceptual art. Because the development and change of the style of art is not only restricted by the changes of society and history, but also to a large extent, it is always affected by the internal logical evolution of human beings and the inherent law of development of art. Therefore, with the continuous in-depth study of abstract issues in China in recent years, we find that western modern abstract art has used abstract factors to a great extent, which has a lot of enlightenment to the development of Chinese oil painting at present. Therefore, this paper attempts to analyze the abstract factors embodied in the works of painters with typical representatives of Chinese freehand brushwork in different periods by means of graphics and culturology and sociology from a more comprehensive modern and contemporary point of view. And by analyzing and studying the spirit of the abstract factors that make up the artistic language, we can help more people understand the difference between abstract oil painting and freehand oil painting, and open the window of art appreciation. It also shows that Chinese freehand brushwork oil painting pays attention to the use of abstract factors in oil painting art to show the artistic abstraction with Chinese characteristics, so that through the understanding of abstract factors in oil painting art, we can understand the cultural connotation of art and stimulate the creativity of the subject content of the works at the same time.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
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