从《千里江山图》谈中国传统绘画“境”之表达
发布时间：2019-06-21 13:51
【摘要】：北宋青年才俊王希孟以一幅《千里江山图》长卷，壮写青绿山水写实性巅峰之作，独步千载丹青世界。笔墨与中国色彩共同凝结为咫尺千里之“境”，成为中国传统绘画典型代表。北宋后的绘画史水墨传统占主流，但北宋的青绿山水的原创性以及它的巧夺天工，，为后世景仰，难以攀越，尤其是青年王希孟君青绿山水长卷《千里江山图》，本文紧密围绕此图，关联未来发展，深度挖掘中国传统绘画精神“境”之表达，在国土、家园、绘画作品原创审美领域的意境、境界思考，沿承传统绘画“境”力量，关注中国当下绘画努力的一个方向。论文共分为六个部分第一部分前言，主要论述课题的时代背景和研究意义，研究现状和研究方法，以及课题研究的重点、难点和创新点等；第二部分阐述境、意境、境界含义及其脉络；第三部分结合各个发展时期的代表作品和图式语言，追溯中国青绿山水画起源、历史发展以及与社会环境的关联；第四部分简述王希孟生平，从四个方面深入研究《千里江山图》的绘画内容；第五部分深入阐述《千里江山图》在山水、人物方面的绘画特点，营造的山水人居环境，从三个方面提出“境”是传统绘画精神的提炼；第六部分综述整理传统绘画“境”之表达的原创驱动力量带给国人的时代思考。第七部分总结全文。
[Abstract]:Wang Ximeng, a talented young man in the Northern Song Dynasty, wrote the work of the realistic peak of green mountains and rivers with a long volume of "thousands of miles of rivers and mountains". Pen and ink and Chinese color condense into a "border" of thousands of miles, becoming a typical representative of traditional Chinese painting. The painting history ink tradition occupied the mainstream after the Northern Song Dynasty, but the originality of the green landscape and its skillful work in the Northern Song Dynasty were admired by later generations and were difficult to climb, especially the long volume of the green landscape of the young king Ximeng, "Qianli River and Mountain Map". This paper closely revolves around this picture, is related to the future development, deeply excavates the expression of the spirit of Chinese traditional painting, and thinks about the artistic conception and realm in the original aesthetic field of the land, home and painting works. Along the traditional painting "border" power, pay attention to a direction of current Chinese painting efforts. The thesis is divided into six parts: the preface to the first part, which mainly discusses the background and significance of the subject, the research status and research methods, as well as the key points, difficulties and innovations of the research; the second part expounds the environment, artistic conception, realm meaning and its context; the third part traces the origin of Chinese green landscape painting, historical development and its relationship with the social environment combined with the representative works and schema language of each development period. The fourth part briefly describes the life of Wang Ximeng, deeply studies the painting content of Qianli Jiangshan Map from four aspects; the fifth part deeply expounds the painting characteristics of Qianli Jiangshan Map in landscape and characters, creates the landscape human settlement environment, and puts forward that "environment" is the extraction of the spirit of traditional painting from three aspects; the sixth part summarizes the original driving force of the expression of traditional painting "environment" to bring the thinking of the times to the Chinese people. The seventh part summarizes the full text.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2504124
[Abstract]:Wang Ximeng, a talented young man in the Northern Song Dynasty, wrote the work of the realistic peak of green mountains and rivers with a long volume of "thousands of miles of rivers and mountains". Pen and ink and Chinese color condense into a "border" of thousands of miles, becoming a typical representative of traditional Chinese painting. The painting history ink tradition occupied the mainstream after the Northern Song Dynasty, but the originality of the green landscape and its skillful work in the Northern Song Dynasty were admired by later generations and were difficult to climb, especially the long volume of the green landscape of the young king Ximeng, "Qianli River and Mountain Map". This paper closely revolves around this picture, is related to the future development, deeply excavates the expression of the spirit of Chinese traditional painting, and thinks about the artistic conception and realm in the original aesthetic field of the land, home and painting works. Along the traditional painting "border" power, pay attention to a direction of current Chinese painting efforts. The thesis is divided into six parts: the preface to the first part, which mainly discusses the background and significance of the subject, the research status and research methods, as well as the key points, difficulties and innovations of the research; the second part expounds the environment, artistic conception, realm meaning and its context; the third part traces the origin of Chinese green landscape painting, historical development and its relationship with the social environment combined with the representative works and schema language of each development period. The fourth part briefly describes the life of Wang Ximeng, deeply studies the painting content of Qianli Jiangshan Map from four aspects; the fifth part deeply expounds the painting characteristics of Qianli Jiangshan Map in landscape and characters, creates the landscape human settlement environment, and puts forward that "environment" is the extraction of the spirit of traditional painting from three aspects; the sixth part summarizes the original driving force of the expression of traditional painting "environment" to bring the thinking of the times to the Chinese people. The seventh part summarizes the full text.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
【参考文献】
相关期刊论文 前1条
1 高居翰;杨振国;;中国绘画中的政治主题——“中国绘画的三种选择历史”之一[J];艺术探索;2005年04期
本文编号：2504124
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