日本漫画中愤怒情感的图文表征研究

发布时间：2025-06-06 00:27

　　本文结合系统功能语法理论和概念隐喻理论,对日本漫画中译版中愤怒的图文表征进行系统研究。在图像表征方面,本文首先对现实世界情绪行为的图像表征和规约性符号加以区分。对于前者,本文借用非言语行为符号模型进行了定量分析,对于后者,本文定性分析了图像符文、象形图和气泡框特征表征愤怒的认知理据。基于上述分析,本文确定了不同类型表征的符号学地位。在文字表征方面,本文对气泡框内部和外部的文本加以区分,并得出其显著特征。本研究主要发现日本漫画中愤怒的图像表征主要分为对现实世界情绪行为的图像表征和规约性符号。对现实世界情绪行为的图像表征主要包括面部表情、肢体接触和身体方向。基于本文选取的数据,在面部表情方面,用于表示愤怒的符号资源包括“额头:垂直皱纹;眉毛:下降的内角;眼睛:大开或收窄/闭合;嘴:大开或紧闭”。代表愤怒的典型肢体接触是拳打,可以用“[拳头]+[脸部]+[单向行为]+[矢量:朝向受力方]+[力量:高]”来表征。身体方向通常是向前的,表明愤怒是一种主动的情感。漫画中用于表征愤怒的规约性符号包括图像符文,象形图和气泡框特征。其中,图像符文包括放射状直线,闪电状线条,表示颤抖的虚线,水珠,以及突出的...

【文章页数】：63 页

【学位级别】：硕士

【文章目录】：
摘要
Abstract
Chapter One Introduction
    1.1 Research Background
    1.2 Research Objectives
    1.3 Research Significance
    1.4 The Organization of the Thesis
Chapter Two Literature Review
    2.1 Comics
        2.1.1 Definition and History
        2.1.2 Studies on Comics
    2.2 Studies on Emotion from Cognitive Linguistic Perspective
        2.2.1 Conceptual Metaphor and Conceptual Metonymy
        2.2.2 Studies on Emotion Language from Cognitive Linguistic Perspective
        2.2.3 Studies on Visual Representations of Emotion from Cognitive LinguisticPerspective
    2.3 Studies on Emotion from Systemic Functional Perspective
        2.3.1 Studies on Emotion Language from Systemic Functional Perspective
        2.3.2 Studies on Visual Representations of Emotion from Social Semiotic Perspective
    2.4 Summary
Chapter Three Theoretical Framework and Methodology
    3.1 Social Semiotic Models for Emotive Behavior
        3.1.1 Facial Expression
        3.1.2 Touch
        3.1.3 Body Orientation
        3.1.4 Summary
    3.2 Conceptualization of Anger
        3.2.1 Anger Metaphor
            3.2.1.1 Physiological Effects
            3.2.1.2 Negative Evaluation of Angry Behaviors
            3.2.1.3 Cause, Person,Existence
        3.2.2 Anger Metonymy
        3.2.3 Summary
    3.3 Methodology
        3.3.1 Selection of Data
        3.3.2 Data Processing
            3.3.2.1     Quantitative Analysis
            3.3.2.2 Qualitative Analysis
Chapter Four Visual-Verbal Representations of Anger in Japanese Comics
    4.1 Visual Representations of Emotive Behaviors
        4.1.1 Facial Expression
        4.1.2 Touch and Body Orientation
        4.1.3 Summary
    4.2 Conventionalized Signs
        4.2.1 Pictorial Runes
            4.2.1.1 Radial Straight Lines
            4.2.1.2 Lightening-Shape Line
            4.2.1.3 Shaking
            4.2.1.4 Droplet
            4.2.1.5 Vein
        4.2.2 Pictogram
            4.2.2.1 Steam
            4.2.2.2 Fire
        4.2.3 Balloon Features
            4.2.3.1 Big-Jagged Asymmetrical Balloon
            4.2.3.2 Bold Face and Larger Fonts
        4.2.4 Summary
    4.3 Semiotic Status of Visual Signs of Anger
        4.3.1 Charles Peirce's Semiotic Theory
        4.3.2 Semiotic Status of Visual Signs of Anger
    4.4 Verbal Representations of Anger
Chapter Five Conclusion
    5.1 Major Findings of the Study
    5.2 Limitations of the Study
    5.3     Implications and Suggestions
References
Acknowledgements



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