论自然美的个体性——山水画作为天人合一的典型范式

发布时间：2018-01-26 01:11

本文关键词： 中国环境美学陈望衡梅洛·庞蒂质山水《笔法记》　出处：《郑州大学学报(哲学社会科学版)》2017年04期 　论文类型：期刊论文

【摘要】：如何建立家园式而非资源式的自然审美意识?陈望衡的答复是,环境美体现了家园感,它通过个体对自然环境审美的主客统一来体现。何以认为自然环境的表达具有个体性呢?为了佐证陈先生的评论,我在他的观点的基础上,重新审视了山水画范式。发现自然环境审美的个体性和山水画中的相关元素"质",并不能用实用主义及分析哲学的对象性语言简单解读。在解读"质"时,我应用了梅洛·庞蒂的术语"可见者",由此观之,陈对自然美的分析与山水画中的天人合一在理论上是相通的。而陈对于环境美学的革新在于,他将环境美学确立为人与自然交流的替代性范型。
[Abstract]:How to establish the natural aesthetic consciousness of homelands rather than resources? Chen Wangheng's reply is that the beauty of the environment embodies the sense of home, and it is embodied through the unity of the subject and the object of the individual aesthetic of the natural environment. Why does it think that the expression of the natural environment has individuality? In order to support Mr. Chen's comments, I re-examine the landscape painting paradigm on the basis of his viewpoint, and find out that the aesthetic individuality of the natural environment and the related elements of landscape painting "quality". It's not in the object language of pragmatism and analytical philosophy. In interpreting "quality," I used the term "visible" from Melo Ponty. Chen's analysis of natural beauty is theoretically related to the unity of nature and man in landscape painting, and Chen's innovation of environmental aesthetics is that he establishes environmental aesthetics as an alternative paradigm of communication between man and nature.
【作者单位】：武汉纺织大学艺术与设计学院;武汉大学城市设计学院;
【分类号】：B834.2
【正文快照】： 一、自然环境的复活基于当下对生态失衡的广泛关注,自然环境的审美复兴显得异常紧迫,这有助于控制人类从物质角度去认知环境,即仅将其当成利用和开发的对象。建立环境审美是一种进步,它有利于帮助人们建立自我与自然不可分离的意识,以及消除人的内在与客体环境之间的差别与距

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