从感性学到审美乌托邦——现代美学早期的一段问题史

发布时间：2018-03-02 21:34

  本文选题：美学　切入点：鲍姆嘉通　出处：《江苏社会科学》2010年06期 　论文类型：期刊论文

【摘要】：现代美学不只是关于美和艺术的知识领域,同时也是现代精神自我确证的一个重要方面,其旨趣系于个人主体的正当性这个现代哲学的基本问题。鲍姆嘉通最初在理性主义体系里构想出一门准认识论性质的"感性学";而后,康德在批判哲学范围内为之确立主体的根基,并赋予"审美自律论"以完整的哲学形式;席勒从康德的概念框架出发,将审美批判扩展至社会政治领域,提出一种"审美乌托邦"思想。现代美学早期的这段历史,显示了审美—艺术问题是如何被推向现代思想前沿的。
[Abstract]:Modern aesthetics is not only a field of knowledge about beauty and art, but also an important aspect of modern spiritual self-confirmation. Its purport lies in the basic question of the legitimacy of individual subject, which is the basic problem of modern philosophy. At first, Baumgarton conceived a quasi-epistemological "perceptual science" in the rationalism system. Kant established the foundation of the subject in the scope of critical philosophy, and endowed "Aesthetic Self-discipline Theory" with a complete philosophical form. Schiller expanded the aesthetic criticism to the field of social politics from Kant's conceptual framework. This article puts forward a kind of "aesthetic utopia". The early history of modern aesthetics shows how the aesthetic-artistic problem is pushed to the forefront of modern thought.
【作者单位】： 中国艺术研究院《文艺研究》杂志社;
【分类号】：B83
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本文编号：1558163