东亚美学的特点及其世界意义

发布时间：2018-03-24 03:10

  本文选题：轴心时代　切入点：审美现象　出处：《文艺争鸣》2015年08期

【摘要】：正美学是对于人的以美为核心的审美现象(以"美"概之)进行理论反思而形成的知识体系(以"学"概之),这一知识自中国、印度和以古希腊为核心的地中海文化在公元前700-前200年实行了哲学突破,而形成西方学人所称的轴心时代以来,就产生了。自此以后,各大文化的美学按照自身的规律运转,形成各自的特色。但自17世纪世界进入现代化进程以来,西方率先进入现代社会并向
[Abstract]:Positive aesthetics is a system of knowledge formed by the theoretical reflection of aesthetic phenomena with beauty as the core ("beauty" in general). This knowledge comes from China. India and the Mediterranean culture, with ancient Greece at its core, made a philosophical breakthrough between 700 and 200 BC, and since the formation of what the Western Scholars call the Axis Age, the aesthetics of each major culture has operated according to its own laws. But since the 17th century the world has entered the modernization process, the West has taken the lead in entering the modern society.
【作者单位】： 浙江师范大学人文学院;
【分类号】：B83-06
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本文编号：1656432