论早期吴越审美文化中的江湖与剑道——以《越绝书》和《吴越春秋》为例

发布时间：2018-04-09 01:10

本文选题：江南美学　切入点：前江南美学　出处：《郑州大学学报(哲学社会科学版)》2011年04期

【摘要】：作为中国美学重要构成部分的江南美学可以分为三个阶段:从远古到西晋是前江南美学--远古的良渚等文化,春秋的吴越文化,战国秦汉的楚文化,三国时的东吴文化,从各个方面以多样元素为江南美学的形成奠定了基础。从东晋开始到晚清,是正式的江南美学。它以南京、扬州、杭州、苏州为核心,并扩展到周围区域,在中国古代文化中占有一个极为重要的地位。从晚清到而今,是后江南美学。因上海在世界现代化大潮中崛起,以中国与西方的互动为主轴,具有了现代性的特点,又与原来江南核心地区进行文化互动,并极大地影响这些地区的美学演进。本期刊发的四篇文章,主要梳理江南美学正式形成前的前江南美学。文章分别从良渚文化、吴越文化、楚文化、东吴文化中与江南美学最为相关的元素和观念进行言说,希望能够推进江南美学的研究。
[Abstract]:As an important part of Chinese aesthetics, Jiangnan aesthetics can be divided into three stages: from the ancient times to the Western Jin Dynasty is the pre-Jiangnan aesthetics-ancient Liangzhu culture, the Spring and Autumn period Wu Yue culture, the warring States Qin and Han Chu culture, the three Kingdoms of the Eastern Wu culture.The formation of Jiangnan aesthetics is based on various elements.From the beginning of the Eastern Jin Dynasty to the late Qing Dynasty, it is a formal Jiangnan aesthetics.It takes Nanjing, Yangzhou, Hangzhou, Suzhou as the core, and extends to the surrounding area, occupies a very important position in the ancient Chinese culture.From the late Qing Dynasty to the present, it is the post-Jiangnan aesthetics.The rise of Shanghai in the tide of world modernization, with the interaction between China and the West as the main axis, has the characteristics of modernity and cultural interaction with the original core areas of the Jiangnan River, and greatly affects the aesthetic evolution of these areas.The four articles published in this issue mainly combed the pre-Jiangnan aesthetics before the formal formation of Jiangnan aesthetics.This paper discusses the elements and concepts most relevant to Jiangnan aesthetics in Liangzhu culture, Wuyue culture, Chu culture and dongwu culture, hoping to promote the study of Jiangnan aesthetics.
【作者单位】：浙江师范大学人文学院;
【基金】：浙江省社科重点课题"江南美学史"(09JDJN002Z)阶段成果
【分类号】：B83-0

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