周来祥美学理论体系刍议

发布时间：2018-04-12 22:20

本文选题：周来祥 + 美学理论　；参考：《西北师大学报(社会科学版)》1995年02期

【摘要】：在中国当代美学的两次大讨论中，周来祥先生“美是和谐”的理论体系悄悄地崛起。他采用辩证逻辑的思维方法，使他的思想理论在逐渐呈现出体系的过程中显示出巨大的深度和力度。但“和谐”一词在此以前指的是客体诸因素的某种组合方式，而周来祥则把它确立为一个对美的本质进行界定的最简明的表达。因为他所说的“和谐”，是一种关系，是审美关系的和谐。美的本质是人与自然、主体与客体的和谐统一。它在艺术中，，就是主观和客观、表现与再现、感情与认识、真与善的统一。这种理论要求逻辑与历史相统一的方法，所以在重视美学理论的同时也必然深入地考察历史，周来祥的审美历史观有自己鲜明的特点。从大的范畴上来看，周来祥的美学思想体系属于“实践派”．但在许多方面又与国内的“实践派”美学理论存在着较大的差异，正因为如此，周来祥以自己的美学体系为中国美学的发展做出了贡献。
[Abstract]:In the two great discussions of Chinese contemporary aesthetics, Zhou Laixiang's theory system of "beauty is harmony" rises quietly.His thinking method of dialectical logic makes his thought theory show great depth and strength in the process of gradually presenting the system.But before that, the word "harmony" referred to a certain combination of object factors, while Zhou Laixiang established it as the most concise expression of the essence of beauty.Because what he calls "harmony", is a kind of relation, is the harmony of aesthetic relationship.The essence of beauty is the harmonious unity of man and nature, subject and object.In art, it is the unity of subjectivity and objectivity, expression and reappearance, emotion and cognition, truth and goodness.This kind of theory requires the method of unifying logic and history, so it is necessary to study history deeply while attaching importance to aesthetic theory. Zhou Laixiang's aesthetic view of history has its own distinctive characteristics.Looking from the big category, Zhou Laixiang's aesthetic thought system belongs to "practice school".However, in many respects, there is a great difference between the theory of "practical school" and the aesthetic theory in China. Because of this, Zhou Laixiang has contributed to the development of Chinese aesthetics with his own aesthetic system.
【分类号】：B83

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