西方近、现代主体论美学的逻辑发展──审美本体论研究系列论文之一

发布时间：2018-05-01 00:17

本文选题：西方近、现代主体论美学 + 逻辑发展　；参考：《西北师大学报(社会科学版)》1998年06期

【摘要】：西方古代美学在注重客体性美学的同时，并非没有研究过审美主体。实际上，西方对主体和客体研究的历史一样古老。虽然这种研究在其后的趋向曲折复杂，但两种倾向经过德国古典美学的努力，到康德和黑格尔那里，已使感性与理性、主体与客体在唯心主义体系下统一起来。而近代以来的审美本体论，却是在反黑格尔理性主义旗帜下走向主体论美学的。但如果从总体上看，，西方古代审美本体论一方面以客体为前提，另一方面则还未能形成完整的美学体系。所以历史地看待审美本体的发展，在古代和中古时代的美学中，客观论是占优势的，但在近代占优势的则是主观理论。
[Abstract]:While paying attention to the object aesthetics, the western ancient aesthetics did not study the aesthetic subject at the same time. In fact, the study of subject and object in the West is as old as history. Although the tendency of this kind of research is complicated and twists and turns, the two tendencies, through the efforts of German classical aesthetics, have unified sensibility and rationality, subject and object under idealism system to Kant and Hegel. However, the aesthetic ontology since modern times has moved towards subject aesthetics under the banner of anti-Hegel rationalism. But on the whole, the western ancient aesthetic ontology, on the one hand, presupposes the object, on the other hand, it fails to form a complete aesthetic system. So the development of aesthetic ontology in history, in the ancient and middle ancient times of aesthetics, objective theory is dominant, but in modern times is the dominant subjective theory.
【作者单位】：山东师范大学中文系!250014
【分类号】：B83-06

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