坚持实践观点,发展中国美学——与杨春时同志商榷

发布时间：2018-05-15 02:25

本文选题：实践美学 + 实践观点　；参考：《社会科学战线》1994年04期

【摘要】：正读了杨春时同志的文章《超越实践美学,建立超越美学》(《社会科学战线》1994年第1期,以下简称《超越美学》),在感佩他的理论家的勇气的同时,也觉得有一些不当之处,特提出一些商榷意见。众所周知,所谓“实践美学”,简言之就是坚持马克思主义的实践观点的美学理论体系。它以人类的社会实践(主要是物质生产劳动)为逻辑起点,以历史唯物主义和辩证唯物主义为指导,建构了完整的美学体系。它发源于马克思的(1844年经济学—哲学手稿》,经过十九世纪中叶至今的发展,给西方美学带来了革命性变革。在我国,它兴起于二十世纪五、六十年代学习前苏联的经验和美学大论争之中,并在七、八十年代迅速壮大,形成了好几个影响颇大的流派,如李泽厚的社会积淀美学、蒋孔阳的创造美学、刘纲纪的实践自由美学、蒋培
[Abstract]:Having read Comrade Yang Chunshi's article "transcending practical Aesthetics, establishing Transcendental Aesthetics" (the Social Science Front, No. 1, 1994, hereinafter referred to as "beyond Aesthetics"), while appreciating the courage of his theorists, he also feels that there are some improper points. Some comments are put forward. As we all know, the so-called "practical aesthetics", in short, is the aesthetic theory system that adheres to the Marxist practical viewpoint. It takes the human social practice (mainly the material production labor) as the logical starting point and takes the historical materialism and the dialectical materialism as the instruction, constructs the complete esthetics system. It originated from Marx (the manuscript of economics and philosophy in 1844). It has revolutionized the western aesthetics through the development of the middle of the nineteenth century. In China, it rose in the 1950s and 1960s to study the experience and aesthetics of the former Soviet Union, and grew rapidly in the 1970s and 1980s, forming several influential schools, such as Li Zehou's social accumulation aesthetics. Jiang Kongyang's creation Aesthetics, Liu Gangji's Aesthetics of practical Freedom, Jiang Pei
【作者单位】：华中师范大学中文系
【分类号】：B83

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