从形上思辨到现实关怀——中国新时期美学的历史转型与时代特征

发布时间：2018-05-28 21:11

  本文选题：新时期美学 + 形上思辨　； 参考：《山东社会科学》2008年11期

【摘要】：中国现代性美学真正走上从抽象到具体的科学研究和发展道路,是从建国之后。具体来说,建国之后的美学研究可细分为两个时期:上世纪五、六十年代是中国美学真正走上理论抽象的时期,改革开放新时期以来则是逐渐走向具体的再现或综合性具体化的时期。改革开放的历史进程与社会境遇,使不同于既往的大量新的艺术、审美与人生问题涌现出来,而先前形成的美学观念和研究范式又不能对之作出切实有效的解释,致使旧有的理论在新的现实面前日渐显示出其空疏不实的缺陷和无能为力的尴尬,因而转向现实本身,从形上思辨转向现实关怀,从对现实的时代思考中检验和发展旧有的理论,并在超越和改造旧有理论的基础上提出新的理论观点和学说,便成为近三十年中国美学研究的一种必然选择。概括起来看,这一转变主要体现在三个方面:一是转向对文艺问题特别是大众流行艺术的理论观照,二是开始重视日常生活中的审美问题的理论研讨,三是转向对审美与人生关系问题的人文思考与批评。从形上思辨到现实关怀的转向大大拓展了美学研究的对象和领域,恢复了美学学科的人文特性,也使新时期美学研究体现出了与时代精神相契合的开放性特征,从而为新时期美学研究带来种种新的气象和景观;与此同时,审美现实的发展和美学研究本身也已经将一些新滋生的问题和矛盾推到美学研究者面前,需要认真加以回应和思考,并历史地给予解释和解决。
[Abstract]:Chinese modern aesthetics has been on the road of scientific research and development from abstract to concrete, since the founding of the people's Republic of China. Specifically, the aesthetic research after the founding of the people's Republic of China can be subdivided into two periods: the 1950s and 1960s were the periods when Chinese aesthetics really entered the theoretical abstraction. Since the new period of reform and opening up, it is gradually moving towards concrete reproduction or comprehensive concrete period. The historical process of reform and opening up and the social circumstances have made a large number of new arts, aesthetic and life problems emerge different from the past, but the aesthetic concepts and research paradigms formed before cannot give a practical and effective explanation to them. In the face of the new reality, the old theory gradually shows its empty defects and helpless embarrassment, thus turning to the reality itself, from the form of speculation to the reality care, It is an inevitable choice to test and develop the old theories from the thinking of the realistic times, and to put forward new theories and theories on the basis of surpassing and reforming the old theories, which has become an inevitable choice for the research of Chinese aesthetics in the past 30 years. To sum up, this change is mainly reflected in three aspects: first, turning to the theoretical view of literary and artistic problems, especially popular art, and second, beginning to attach importance to the theoretical study of aesthetic problems in daily life. Third, turn to the relationship between aesthetics and life of humanistic thinking and criticism. The turning from form thinking to realistic concern has greatly expanded the object and field of aesthetic research, restored the humanistic characteristics of aesthetic discipline, and made aesthetic research in the new period embody the open characteristics that are in line with the spirit of the times. At the same time, the development of aesthetic reality and aesthetic research itself have pushed some new problems and contradictions to aesthetic researchers. Need to seriously respond and think, and historically explain and solve.
【作者单位】： 山东大学文艺美学研究中心;
【基金】：教育部人文社会科学重点研究基地重大项目“文艺美学元问题与文艺美学学科体系建设研究”(项目批准号:06JJD75011—44008)的成果之一
【分类号】：B83-0
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本文编号：1948199