“失明”与“黑白民间”——帕慕克的视觉策略对当代视觉美学的启示

发布时间：2018-06-06 06:26

本文选题：视觉中心 + 失明与遮蔽　；参考：《武汉理工大学学报(社会科学版)》2011年05期

【摘要】：帕慕克有多种便利条件调用视觉这一手段在作品中张扬其文学个性,但他用"失明"完成了对当下视觉产品极度发达的时代的背离,坚定地表明自己的美学立场———对视觉的拒斥;帕慕克更能调用各类视觉元素,如颜色、照片等来构建自己的文学世界,但他放弃了丰富多彩的颜色,而只用黑、白两色作为这个世界的底色。帕慕克对视觉美学的有意违反,正是对"视觉中心"时代的视觉美学的一次反拨,殊有意味。
[Abstract]:Pamuk has a variety of conveniences to invoke vision, which makes his literary personality known in his works, but he uses "blindness" to complete a departure from the era when visual products are extremely developed. Firmly stating his aesthetic stand-rejecting vision; Pamuk is better able to use all kinds of visual elements, such as colors, photographs, etc., to build his literary world, but he gives up colorful colors and uses only black. White is the background of the world. Pamuk's intentional violation of visual aesthetics is a counterattack on visual aesthetics in the era of "visual center".
【作者单位】：武汉大学文学院;
【分类号】：B83

【共引文献】