阿恩海姆美学思想新论

发布时间：2018-06-25 20:40

本文选题：阿恩海姆 + 格式塔　；参考：《船山学刊》2008年03期

【摘要】：阿恩海姆格式塔心理学美学一般被把握为一种"视知觉形式完形理论",把视知觉完形形式的生成归于视知觉的完形倾向之下。实际上,在阿恩海姆文本中有一个"完形"形式的生成机制在起作用,也就是任何视知觉形式的达成,都是在其自主作用下进行的;那么所有创造出来的形式,也都呈现为动力式样。同时,在视知觉形式动力作用下,意义、表现等在形式创造中所必须具备的东西也都得以产生。因此,阿恩海姆美学思想更多地将格式塔发展为形式的形成和建构的动力机制,从而使我们对之有了一种全新的理解。
[Abstract]:The psychological aesthetics of Arnheim Gestalt is generally regarded as a "theory of visual perception form Gestalt", which ascribes the formation of visual perception gestalt form to the gestalt tendency of visual perception. In fact, in Arnheim's text, there is a "gestalt" form of formation at work, that is, any form of visual perception is achieved under its own action; then all the forms that are created, Are also presented as a dynamic style. At the same time, under the action of visual perception form power, meaning, expression and so on must have in form creation. Therefore, Arnheim's aesthetic thought develops the Gestalt into a dynamic mechanism of form formation and construction, which makes us have a new understanding of it.
【作者单位】：中国计量学院艺术设计学院;
【分类号】：B83-06

【共引文献】