曾繁仁生态美学思想哲学基础研究

发布时间：2018-08-12 10:41

【摘要】：生态问题是一个全球性问题。从美学角度思考和讨论生态问题,愈来愈获得学者的关注,也成为美学研究中的一个新的热点。生态美学作为一门新兴的学科理论,2000年左右才在我国进行较为系统的研究,尚处于初级阶段。曾繁仁先生可谓是中国生态美学研究领域中的领军人物之一。在生态美学领域的探索中,曾繁仁初步形成了自己的生态美学思想体系。尽管有些地方还不够深入、系统,但其在中国生态美学领域的作用和影响是毋庸置疑的,他的许多理论和观点为众多学者所引用。作为中国生态美学界的一面旗帜,曾繁仁的生态美学思想对中国生态美学建设中国化之路的有着十分重要的意义。在生态美学研究中,对于哲学基础的探寻历来都是研究的重难点,通过对领军人物的主要思想的哲学基础进行阐释、分析、论述,以期能为中国生态美学未来的发展找到合理的并为广大学者所认可的理论立足点。本文主要选取了三个方面对曾繁仁生态美学思想的哲学基础进行论述：笔者将曾繁仁先生生态美学的哲学基础概括总结为马克思主义实践存在论哲学的指导,海德格尔存在论美学观的影响,中国古代生态哲学的融合与吸收三个方面。马克思生态存在论美学观是曾繁仁生态美学思想的基础,马克思主义生态理论突破了原来认识论主客体二元对立与“人类中心主义”的旧有模式,认为人与自然的关系应该是和谐统一共生的,曾先生认为这就最为直接有效地克服了西方生态理论的唯心主义与神秘主义。海德格尔的存在论美学对曾繁仁生态美学的思想有着十分深远的影响。海氏所提出的一些理论、概念、范畴直接为曾所吸纳,成为他生态美学思想的重要组成部分。此外对中国古代生态哲学的开掘、分析、接纳则体现了曾繁仁理论研究立足本土,坚持生态美学建设中国化道路的主要表现。
[Abstract]:Ecological problem is a global problem. To think and discuss ecological problems from aesthetic point of view has been paid more and more attention by scholars, and has also become a new hot spot in aesthetic research. As a new discipline theory, ecological aesthetics has been studied systematically in our country only in 2000 or so, but it is still in the primary stage. Mr. Zeng Fanren is one of the leading researchers in the field of ecological aesthetics in China. In the exploration of ecological aesthetics, Zeng Fanren initially formed his own ecological aesthetic thought system. Although some places are not deep and systematic, its role and influence in the field of Chinese ecological aesthetics is beyond doubt, and many of his theories and viewpoints have been cited by many scholars. As a banner of Chinese ecological aesthetics, Zeng Fanren's ecological aesthetics is of great significance to the construction of Chinese ecological aesthetics. In the study of ecological aesthetics, the exploration of philosophical basis has always been the most important and difficult part of the study. In order to find a reasonable and accepted theoretical foothold for the future development of Chinese ecological aesthetics. This paper mainly selects three aspects to discuss the philosophical basis of Zeng Fanren's ecological aesthetics: the author generalizes the philosophical basis of Mr. Zeng Fanren's ecological aesthetics as the guidance of Marxist practical existential philosophy. The influence of Heidegger's ontology on aesthetics and the integration and absorption of ancient Chinese ecological philosophy. The aesthetic view of Marx's ecological existential theory is the basis of Zeng Fanren's ecological aesthetics thought. Marxist ecological theory breaks through the old mode of dual opposition between subject and object of epistemology and "anthropocentrism". Tseng believes that the relationship between man and nature should be harmonious and unified, which directly and effectively overcomes the idealism and mysticism of western ecological theory. Heidegger's existential aesthetics has a profound influence on Zeng Fanren's ecological aesthetics. Some theories, concepts and categories put forward by Hayes have been absorbed directly and become an important part of his ecological aesthetics. In addition, the exploration, analysis and acceptance of ancient Chinese ecological philosophy reflect the main manifestation of Zeng Fanren theory research based on the native country and adhering to the Chinese way of ecological aesthetics construction.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：B83

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