中国古典文论中的传播思想
发布时间：2018-08-12 12:56
【摘要】：有了人类便有了成了比较明确的理论认识。传播。虽然传播学是近几十年才兴起的学科,中国的古典文论却对前起新石器晚期,晚至清末我国的传播现象、传播模式、传播思想有所记载和描述。文字出现以前,人类以声音和拟势语言表情达意,交流思想。有了文字,人类便开始讲究传播方式,形成了我国古代两种水平和垂直传播构成的、而以上层水平传播和自上而下的垂直传播为主的“工”字形传播网络。从儒家、诸子百家的早期描摹主义,到韩愈、苏轼的重视主体,到冯梦龙、金圣叹的受众意识,中国古典文论在客体、主体、受众这个带有根本性的问题上,就已经形
[Abstract]:The existence of human beings has become a relatively clear theoretical understanding. Dissemination. Although communication is a subject that has arisen in recent decades, Chinese classical literary theory has recorded and described the phenomenon, mode and thought of communication in China from the late Neolithic period to the late Qing Dynasty. Before the appearance of words, people expressed themselves and exchanged ideas with sound and pseudo-language. With the characters, people began to pay attention to the mode of communication, forming the ancient China's two horizontal and vertical communication, and the horizontal and top-down vertical propagation of the "I" type of communication network. From the early depictionism of Confucianism to Han Yu and Su Shi, to the audience consciousness of Feng Menglong and Jin Shengtan, the classical Chinese literary theory has already taken shape on the fundamental issue of object, subject and audience.
【作者单位】：
本文编号：2179119
[Abstract]:The existence of human beings has become a relatively clear theoretical understanding. Dissemination. Although communication is a subject that has arisen in recent decades, Chinese classical literary theory has recorded and described the phenomenon, mode and thought of communication in China from the late Neolithic period to the late Qing Dynasty. Before the appearance of words, people expressed themselves and exchanged ideas with sound and pseudo-language. With the characters, people began to pay attention to the mode of communication, forming the ancient China's two horizontal and vertical communication, and the horizontal and top-down vertical propagation of the "I" type of communication network. From the early depictionism of Confucianism to Han Yu and Su Shi, to the audience consciousness of Feng Menglong and Jin Shengtan, the classical Chinese literary theory has already taken shape on the fundamental issue of object, subject and audience.
【作者单位】：
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相关重要报纸文章 前2条
1 外国文学所 史忠义;“言外之意、象外之象”与“内涵义”[N];中国社会科学院院报;2003年
2 金雅;梁启超与中国美学的现代转型[N];文艺报;2004年
，本文编号：2179119
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