论“痴”范畴的美学阐释与文化内涵
发布时间：2018-08-30 07:51
【摘要】："痴"作为一个概念,走入艺术领域,成为一种喜爱,一种依恋,一种生活态度,在中国古代形成了独特的审美价值与文化价值,所体现和折射的是中国传统文人人格精神、艺术情调、哲人深思。中国古代所体现出的对"痴"的审美与文化认知,已经成为滋养中华民族文化精神的养料,规范着文人士子们的艺术生活和文学创作,塑造着儒家传统所希冀的理想人格。相较于西方的"酒神"精神说和"疯"的范畴,"痴"具有更为深广圆融的审美与文化价值内涵,也显示了中华思维的固有模式。
[Abstract]:As a concept, idiocy has come into the realm of art and become a kind of love, an attachment and an attitude towards life. It has formed a unique aesthetic value and cultural value in ancient China. It embodies and reflects the personality spirit, artistic sentiment and philosophers'deep thinking of Chinese traditional literati. It has become the nourishment to nourish the Chinese nation's cultural spirit, regulate the literati's artistic life and literary creation, and mold the ideal personality expected by the Confucian tradition. Compared with the western "Dionysian" spiritual theory and "madness" category, "madness" has a more profound and comprehensive connotation of aesthetic and cultural values, and also shows the inherent model of Chinese thinking. Style.
【作者单位】： 西北民族大学文学院;
【分类号】：B83-0
，
本文编号：2212436
[Abstract]:As a concept, idiocy has come into the realm of art and become a kind of love, an attachment and an attitude towards life. It has formed a unique aesthetic value and cultural value in ancient China. It embodies and reflects the personality spirit, artistic sentiment and philosophers'deep thinking of Chinese traditional literati. It has become the nourishment to nourish the Chinese nation's cultural spirit, regulate the literati's artistic life and literary creation, and mold the ideal personality expected by the Confucian tradition. Compared with the western "Dionysian" spiritual theory and "madness" category, "madness" has a more profound and comprehensive connotation of aesthetic and cultural values, and also shows the inherent model of Chinese thinking. Style.
【作者单位】： 西北民族大学文学院;
【分类号】：B83-0
，
本文编号：2212436
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