数字时代自我视觉形象的“技术美化”及历史嬗变研究
发布时间：2018-09-04 15:33
【摘要】：人类的“自恋”和对美的追求自古而来，早期人类对自己身体的涂画、简单的装饰是人类最早利用技术追求自身形象的美的开始，此后随着人类自我意识的萌生，人类“技术美化”自我视觉形象的方式和手段也随着技术和媒介的发展而发生着嬗变，从画笔和画布的绘画技术创作的自画像和肖像画，到机械时代利用摄影技术和照相机拍出自拍照和肖像照，再到数字时代，人们利用计算机和修图软件完成对自我视觉形象的“数字化修改”，，移动互联网时代，自拍神器带来的流行文化的“自拍”风潮，人类的自我视觉形象是随着技术的进步和媒介传播的变化发生不断的变化。 数字时代，人们利用美化的软件对自我形象进行数字化的“虚拟重塑”，形成系列化，多方位，多时空，多角度的自我形象展示，海量的形象素材和碎片化的表达成为今天“技术美化”自我视觉形象的特点。 本文从媒介和传播的角度探讨了人类“技术美化”的历史嬗变，着重分析了数字时代“技术美化”的工具，产生的原因，带来的流行文化现象，它对自我视觉形象的重塑，以及“技术美化”在今天带来的对自我形象的沉溺，以及真实和虚拟自我视觉形象的失焦等负面影响。
[Abstract]:Human "narcissism" and pursuit of beauty come from ancient times. The painting and simple decoration of human body in the early period is the beginning of the beauty of human being using technology to pursue their own image, and then with the emergence of human self-consciousness. With the development of technology and media, the ways and means of "technical beautification" of human beings' self-visual image also change, from the self-portraits and portraits of brushes and canvases to the technical creation of painting. In the mechanical age, the use of photography and cameras to take self-photographs and portraits, and then to the digital age, people use computers and graphic repair software to complete the "digital modification" of their own visual image, the era of the mobile Internet. The "selfie" trend of popular culture brought by selfie artifact, the self-visual image of human being is changing constantly with the progress of technology and the change of media communication. In the digital age, people use the software of beautification to carry on the digital "virtual remolding" to the self-image, and form a series, multi-direction, multi-space-time, multi-angle self-image display. The massive image material and the fragmented expression become the characteristic of the self-visual image of "technology beautification" today. From the angle of media and communication, this paper probes into the historical evolution of "technological beautification" of human beings, and emphatically analyzes the tools of "technological beautification" in the digital age, the causes of its emergence, the phenomenon of popular culture, and the remolding of its self-visual image. And the "technology beautification" in today's self-image indulgence, as well as the real and virtual self-visual image of the defocus and other negative effects.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：B832.1
本文编号：2222593
[Abstract]:Human "narcissism" and pursuit of beauty come from ancient times. The painting and simple decoration of human body in the early period is the beginning of the beauty of human being using technology to pursue their own image, and then with the emergence of human self-consciousness. With the development of technology and media, the ways and means of "technical beautification" of human beings' self-visual image also change, from the self-portraits and portraits of brushes and canvases to the technical creation of painting. In the mechanical age, the use of photography and cameras to take self-photographs and portraits, and then to the digital age, people use computers and graphic repair software to complete the "digital modification" of their own visual image, the era of the mobile Internet. The "selfie" trend of popular culture brought by selfie artifact, the self-visual image of human being is changing constantly with the progress of technology and the change of media communication. In the digital age, people use the software of beautification to carry on the digital "virtual remolding" to the self-image, and form a series, multi-direction, multi-space-time, multi-angle self-image display. The massive image material and the fragmented expression become the characteristic of the self-visual image of "technology beautification" today. From the angle of media and communication, this paper probes into the historical evolution of "technological beautification" of human beings, and emphatically analyzes the tools of "technological beautification" in the digital age, the causes of its emergence, the phenomenon of popular culture, and the remolding of its self-visual image. And the "technology beautification" in today's self-image indulgence, as well as the real and virtual self-visual image of the defocus and other negative effects.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：B832.1
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1 颜子澜;数字时代自我视觉形象的“技术美化”及历史嬗变研究[D];南京艺术学院;2014年
本文编号：2222593
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