论舒斯特曼的通俗艺术观

发布时间：2018-10-05 19:52

【摘要】：理查德·舒斯特曼(Richard·Shusterman)是当代新实用主义美学的代表人物,在国际美学界享有较高的声誉。他现任美国亚特兰大大学人文学院与哲学系教授、巴黎国际哲学学院导师,其代表作有《Pragmatist Aesthetics》(《实用主义美学》,1992)、《Practicing Philosophy》(《哲学实践》,1997)、《Performing Live》(《生活即审美》,2000)等等。实用主义哲学已经经过了近半个世纪的发展,其发展轨迹由约翰·杜威为代表的经典实用主义美学,到分析美学转向而产生的以理查德·罗蒂为代表的新实用主义美学,再到当代以理查德·舒斯特曼为代表的新一代的实用主义。经过不断的发展,我们可以看到实用主义思想克服了许多自身缺陷,同时在经济深入发展的今天,越来越凸显出他的特点——一种行动哲学。本论文主要针对理查德·舒斯特曼的艺术理论,特别是对实用主义美学对通俗艺术的辩护来作为论述中心的,并进一步举例分析了通俗艺术之辨的具体功用。论文首先以阐述实用主义各时期代表人物的思想来整理实用主义的发展脉络,同时分析了舒斯特曼的实用主义思想在整个学术体系中的位置。并且引出了舒斯特曼所极力倡导的“中道”的思想立场。论文的第二部分是论文的主体部分,系统阐明了舒斯特曼的通俗艺术观和舒斯特曼对通俗艺术的辩护,并论述了舒斯特曼对拉谱这门通俗艺术的具体的实用主义分析。同时论文还由此扩展,以我国当代最流行的小品艺术为例子,运用舒斯特曼的通俗艺术之辨的理论来分析其理论价值。最后,论文指出了舒斯特曼的实用主义的未来发展前景。在这部分,首先分析了我国通俗艺术和高级艺术的发展现状和存在的种种问题,并试图用舒斯特曼的“包括性的析取立场”来消解各种艺术间的矛盾。然后,论文指出了实用主义美学已经将视野扩大到身体美学在内的广大审美经验领域。论文主要运用对理论问题的分析,并试图用这些理论去解决一些现实的问题,希望对我们当代艺术界和美学界的发展带来一些启示。
[Abstract]:Richard Schusterman (Richard Shusterman) is a representative figure of contemporary neo-pragmatism aesthetics and enjoys a high reputation in the field of international aesthetics. He is currently a professor in the Faculty of Humanities and philosophy at the University of Atlanta, and a tutor at the International School of philosophy in Paris. His masterpieces include < Pragmatist Aesthetics > (practical Aesthetics), < Practicing Philosophy > (philosophical practice), < Performing Live > (Life is Aesthetic) and so on. The development of pragmatism philosophy has gone through nearly half a century. Its development path is from John Dewey's classic pragmatism aesthetics to the new pragmatism aesthetics represented by Richard Rorty. And then to the new generation of pragmatism represented by Richard Schuster. Through the continuous development, we can see that pragmatism has overcome many defects of itself, at the same time, in the economic development of today, more and more prominent his characteristics-a philosophy of action. This thesis focuses on Richard Schustroman's theory of art, especially on the defense of pragmatism aesthetics to popular art, and further analyzes the concrete function of the debate of popular art. Firstly, the thesis analyzes the development of pragmatism by expounding the thoughts of the representatives of various periods of pragmatism, and at the same time, analyzes the position of Schustroman's pragmatism in the whole academic system. And leads to Schustmann's strong advocacy of the "midway" ideological position. The second part of the thesis is the main part of the paper, which systematically expounds Schustmann's view of popular art and Schuster's defense of popular art, and discusses Schustmann's concrete pragmatism analysis of the popular art. At the same time, the thesis also expands, taking the most popular sketch art of our country as an example, analyzes its theoretical value by using Schustroman's theory of distinguishing popular art. Finally, the paper points out the prospect of Schuster's pragmatism in the future. In this part, the author first analyzes the current situation and problems of the development of popular and advanced art in China, and attempts to resolve the contradiction between various arts by using Schustroman's "the position of disjunction of inclusiveness". Then, the thesis points out that pragmatism aesthetics has expanded its field of aesthetic experience including body aesthetics. This paper mainly uses the analysis of theoretical problems, and tries to solve some practical problems with these theories, hoping to bring some enlightenment to the development of our contemporary art and aesthetic circles.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：B83-0

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