揭开怪诞之谜——读刘法民教授近作《怪诞的本来面目》
发布时间：2018-12-13 22:30
【摘要】：《怪诞的本来面目》是刘法民教授最近出版的一部研究专著。书中刘教授梳理了中西怪诞理论史,区分了怪诞的日常义与美学义,从构成成分、构成方式和接受反应三个层面界定怪诞内涵。强调恐怖与好笑共处一体,对怪诞反常化创造方法的归纳,对怪诞感产生的心理机制的探讨,怪诞美感效应和实用价值的拓展性研究,大量艺术作品的精彩分析,对美学研究和艺术批评中怪诞泛化倾向的纠正,300项西方怪诞学术著作索引,等等,无不显示出刘法民教授《怪诞的本来面目》一书不仅丰富了中国怪诞美学研究,而且起到了深化、推进的作用,同时也为我们进一步探讨提供了非常有价值的理论基础。
[Abstract]:The True face of grotesque "is a research monograph published recently by Professor Liu Famin." In the book, Professor Liu combs the history of Chinese and Western grotesque theories, distinguishes the daily meaning of grotesque from the aesthetic meaning, and defines the grotesque connotation from three aspects: the composition, the way of constitution and the receptive reaction. It emphasizes the coexistence of terror and humor, the induction of grotesque and abnormal creative methods, the discussion of psychological mechanism of grotesque feeling, the extended study of grotesque aesthetic effect and practical value, and the wonderful analysis of a large number of works of art. The correction of the tendency of grotesque generalization in aesthetic research and art criticism, the index of 300 Western grotesque academic works, and so on, all show that Professor Liu Famin's book "the original face of grotesque" not only enriches the study of Chinese grotesque aesthetics, And played the role of deepening, promoting, but also for us to further explore a very valuable theoretical basis.
【作者单位】： 江西师范大学文学院;
【分类号】：B83-0
[Abstract]:The True face of grotesque "is a research monograph published recently by Professor Liu Famin." In the book, Professor Liu combs the history of Chinese and Western grotesque theories, distinguishes the daily meaning of grotesque from the aesthetic meaning, and defines the grotesque connotation from three aspects: the composition, the way of constitution and the receptive reaction. It emphasizes the coexistence of terror and humor, the induction of grotesque and abnormal creative methods, the discussion of psychological mechanism of grotesque feeling, the extended study of grotesque aesthetic effect and practical value, and the wonderful analysis of a large number of works of art. The correction of the tendency of grotesque generalization in aesthetic research and art criticism, the index of 300 Western grotesque academic works, and so on, all show that Professor Liu Famin's book "the original face of grotesque" not only enriches the study of Chinese grotesque aesthetics, And played the role of deepening, promoting, but also for us to further explore a very valuable theoretical basis.
【作者单位】： 江西师范大学文学院;
【分类号】：B83-0
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