灾难美学的理论界定及批判
发布时间：2019-05-13 09:04
【摘要】：灾难美学,是审美主体通过在显现空间中的伪行动而彰显出来的一种伪审美精神。在灾难美学中,审美主体和客体存在着严重的分歧。灾难美学表面上流露出远离灾难的审美主体的人道主义式的关怀,实际上却是一种自私的静观主义。它使公众在感性的氛围中沉浸于感伤并高高在上地同情受难者,在无意识间对公众进行意识形态的麻痹,或致使公众无意识地自我麻痹而逐渐丧失批判反思的能力。因此,灾难美学在本质上是反理性的、反批判的。灾难美学不应该被提倡。
[Abstract]:Disaster aesthetics is a kind of pseudo aesthetic spirit which is manifested by the false action of the aesthetic subject in the manifestation space. In disaster aesthetics, there are serious differences between aesthetic subject and object. On the surface, disaster aesthetics shows the humanitarianism care of aesthetic subjects far from disaster, but it is actually a kind of selfish stillness. It makes the public immerse in the perceptual atmosphere and sympathize with the victims, paralyze the public ideology unconsciously, or cause the public to paralyze themselves unconsciously and gradually lose the ability of critical reflection. Therefore, disaster aesthetics is anti-rational and anti-critical in essence. Disaster aesthetics should not be advocated.
【作者单位】： 四川大学文学与新闻学院;
【分类号】：B83-0
本文编号：2475758
[Abstract]:Disaster aesthetics is a kind of pseudo aesthetic spirit which is manifested by the false action of the aesthetic subject in the manifestation space. In disaster aesthetics, there are serious differences between aesthetic subject and object. On the surface, disaster aesthetics shows the humanitarianism care of aesthetic subjects far from disaster, but it is actually a kind of selfish stillness. It makes the public immerse in the perceptual atmosphere and sympathize with the victims, paralyze the public ideology unconsciously, or cause the public to paralyze themselves unconsciously and gradually lose the ability of critical reflection. Therefore, disaster aesthetics is anti-rational and anti-critical in essence. Disaster aesthetics should not be advocated.
【作者单位】： 四川大学文学与新闻学院;
【分类号】：B83-0
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