纵向轴心镜像结构——对称思维在二十世纪音乐中的运用方式之一

发布时间：2018-05-10 16:48

  本文选题：轴心对称 + 镜像对称　； 参考：《黄钟(中国.武汉音乐学院学报)》2010年02期

【摘要】：文章从音乐分析课教学的角度出发,选择三位美国现代作曲家以"轴心镜像对称"为主要结构思维的五首钢琴短曲,通过详细的图形化分析,把纵向轴心对称的音高结构构思和运作方式,从理论上归纳为单一轴心对称、移动轴心对称、多重轴心对称和移动多层轴心对称四种类型,从而把握作曲家运用对称思维结构和组织乐曲的具体思路和技法,为更深入地开掘此领域的创作积累必备的"个案"分析。
[Abstract]:From the point of view of the teaching of music analysis, this paper selects five piano short songs with the main structure thinking of "axial mirror symmetry" by three modern American composers, and through detailed graphic analysis, The pitch structure of longitudinal axis symmetry is conceptualized and operated into four types: single axis symmetry, moving axis symmetry, multi-axis symmetry and moving multi-layer axisymmetry, which can be divided into four types: single axis symmetry, moving axis symmetry, multiple axis symmetry and moving multi-layer axis symmetry. Therefore, it is necessary to grasp the concrete ideas and techniques of the composer to use the symmetrical thinking structure and to organize the music, and to accumulate the necessary case analysis for the further exploration of the creation in this field.
【作者单位】： 美国佛罗里达州立大学;中央音乐学院作曲系;
【分类号】：J614.1

【共引文献】

中国硕士学位论文全文数据库 前1条

1 赵洁;高度的逻辑控制与强烈的戏剧情感表现[D];天津音乐学院;2007年

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