民族音乐治疗:一条跨学科研究音乐与治疗的路径

发布时间：2018-06-28 22:23

本文选题：萨满教音乐 + 现代医疗　；参考：《民族艺术》2014年02期

【摘要】：在非西方的萨满医疗实践中,仪式音乐节奏性地连接医者和患者,强化患者对信仰系统持有的信念并积极改善病人的生理疾患。但在早期西方主流心理治疗和生物医疗模式中,音乐却贬值到次要地位。单一医疗保健模式的局限性日益被认识,音乐等创造性艺术形式被应用于心理治疗和医疗干预中来。现代音乐治疗和传统萨满教音乐治疗的共同之处在于:在两种治疗模式中,音乐都是参与者力量的象征,都起到导引想象、促进康复的功能。但是,由于某种自我限制和偏见,萨满教音乐的治疗功能被视为历史遗产而加以摈弃。我们可以将萨满教音乐进行分析和改造之后,应用于现代音乐治疗临床实践的主流中。音乐治疗师、民族音乐学家、医学人类学家以及医护人员之间的合作,将促成一门新兴的整合型学科——"民族音乐治疗"。
[Abstract]:In the non-western shaman medical practice, ritual music rhythmically connects the doctor and the patient, strengthens the patient's belief in the belief system and actively improves the patient's physiological disease. But in the early mainstream western psychotherapy and biomedical models, music devalued to a secondary position. The limitations of the single medical care model have been increasingly recognized, and creative art forms such as music have been applied to psychotherapy and medical intervention. The common point of modern music therapy and traditional Shamanism music therapy is that in the two treatment modes, music is the symbol of participants' strength and plays the function of guiding imagination and promoting rehabilitation. However, due to some self-restriction and prejudice, the healing function of shamanistic music was rejected as a historical heritage. We can analyze and transform Shamanism music and apply it to the mainstream of clinical practice of modern music therapy. Collaboration between music therapists, ethnomusic scientists, medical anthropologists and health care professionals will lead to an emerging integrated discipline called folk music therapy.
【作者单位】：玛丽维尔大学音乐治疗系;云南大学艺术与设计学院;
【基金】：云南大学人文社会科学青年研究基金项目“萨满教音乐的医疗民族音乐学研究——一个学术史批评的视角”(13YNUHSS040)阶段性研究成果
【分类号】：J618.9

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