克利夫顿及其音乐现象学——评《倾听音乐——应用现象学研究》

发布时间：2018-06-30 02:00

本文选题：美国音乐现象学 + 音乐美学　；参考：《文艺争鸣》2010年10期

【摘要】：美国音乐现象学表现出了它的一般特征,特征之一是对传统音乐学的批判态度。特征之二是呼吁回到音乐本身,即倾听并分析和描述音乐的生动体验的意识结构。特征之三是应用现象学的本质还原法对音乐活动实施历史的和存在的还原。特征之四是运用内在时间意识现象学理论视音乐为内在时间事件,将音乐的内在时间意向性结构作为研究核心。现象学理论在众多音乐领域已被应用,如现象学音乐分析、现象学音乐心理学、现象学与音乐表演。克利夫顿著《倾听音乐—应用现象学研究》1983年由耶鲁大学出版社出版。本文将对"倾听"的哲学基础、主要内容、成就与局限加以概要评介。"倾听"全书共七章316页,前三章阐述了与音乐相关的现象学理论,后四章从现象学角度分章讨论了音乐的时间、空间、演奏和情感问题,书后附有详尽的参考书目和索引。
[Abstract]:American phenomenology of music shows its general characteristics, one of which is its critical attitude towards traditional musicology. The second feature is a call to return to the music itself, that is, to listen to and analyze and describe the musical vivid experience of the conscious structure. The third feature is the historical and existential restoration of musical activities by the phenomenological essential reduction method. The fourth feature is that music is regarded as an internal time event by using the phenomenological theory of internal time consciousness, and the intrinsic structure of time intentionality of music is regarded as the core of the study. Phenomenological theory has been applied in many music fields, such as phenomenological music analysis, phenomenological music psychology, phenomenology and musical performance. Clifton, listening to Music-Applied Phenomenology. Published by Yale University Press in 1983. This paper reviews the philosophical basis, main contents, achievements and limitations of listening. Listening is composed of seven chapters and 316 pages, the first three chapters expound the phenomenological theories related to music, the last four chapters discuss the time, space, performance and emotion of music from the phenomenological point of view, with detailed bibliography and index at the end of the book.
【作者单位】：浙江师范大学;
【分类号】：J60

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