《格萨尔》之《辛丹内讧》音乐初析

发布时间：2018-10-23 19:21

【摘要】：本文分为上下两篇，上篇由史诗概念入手，概括阐述了世界最长的史诗《格萨尔》的基本内容、产生背景和流传过程等等方面。在上篇的后半部分，略着笔墨于《格萨尔》说唱艺术基本风格特征和说唱艺人的特点。上篇的最后一个章节简要介绍了本文的研究对象——《辛丹内讧》的情节内容，它是流传于甘南藏区的《格萨尔》说唱之一。在下篇中，首先详细的介绍了笔者对《辛丹内讧》音乐本体进行研究的研究方法——波形分析法，之后以《辛丹内讧》音乐本体为研究的出发点，应用波形分析法总结了全部二十一段中的六种曲调的频率、时间特性、响度、结构等等特点，初步找出其中规律性的部分，并发掘《辛丹内讧》音乐中特别的地方，如句首衬词“翁那哟”和装饰性润腔的音乐特性等等。下篇的后半部分，结合笔者专业，对《辛丹内讧》中体现出的音乐创作观念进行了初步的论述和研究。涉及方面有《辛丹内讧》的词曲并作创作方法、重复原则、无高潮的音乐创作观念和即兴表演、即兴创作思维等等。这几点《辛丹内讧》的创作观念对现今音乐创作具有一定的启示意义和实际意义。在本文的结论中，阐述了本文研究《辛丹内讧》的目的不仅仅是发现《辛丹内讧》音乐本身的Yg秘，，而是打开一扇通往研究《格萨尔》音乐的大门，最终目的是从对《辛丹内讧》、《格萨尔》的音乐研究中认识自己，从音乐分析中得到宝贵的启示，从创作观念的梳理中找寻自己创作的道路。到目前为止，全世界范围内，可以借鉴的对《格萨尔》音乐本体的研究非常少，更难以找寻全面系统总结某一部《格萨尔》音乐的资料。这既给研究带来很大的难度，同时也让本文的研究更富理论意义和实际意义。在音乐本体的分析中，笔者采用波形分析方法，这种新的、适合分析《辛丹内讧》这种单人表演的民族民间音乐的研究方法，从另一种研究角度，以另一种分析逻辑展开对《辛丹内讧》《格萨尔》之《辛丹内证》音乐初析音乐各因素的方方面面研究。不能说己研究得很全面，但是从研究方法到研究过程再到研究结论等等，本文尝试走出一条非西方传统的音乐分析研究思维的原创道路，这是本文的创造性成果。介于目前研究资料和材料的匾乏，也因为新的音乐分析方法处于刚起步的阶段，所以本文还有很多的不足之处，希望得到老师、朋友的热心指正。笔者只期望在《格萨尔》音乐研究领域迈出的这一小步，能够抛砖引玉，引发各界对《格萨尔》音乐研究的热潮。在本文的写作过程中，笔者得到何训田教授的悉心指导和大力帮助，在此表示深深的感谢!
[Abstract]:This paper is divided into two parts. The first part begins with the concept of epic, and expounds the basic content, background and spreading process of the longest epic in the world. In the second half of the first part, I touch on the basic style characteristics of Gesar and the characteristics of rap artists. The last chapter of the last chapter briefly introduces the plot content of the research object of this paper, "Sindan infighting", which is one of the "Gesar" rap in Gannan Tibetan area. In the next chapter, the author introduces in detail the research method of "Sindan infighting" music ontology, which is called waveform analysis method, and then takes "Sindan infighting" music ontology as the starting point. The characteristics of frequency, time characteristics, loudness, structure and so on of the six tunes in all 21 sections are summarized by using waveform analysis method. The regular parts of them are preliminarily found out, and the special places in the music of "Sindan infighting" are explored. Such as the first line of the word "Wunnayu" and decorative melodies of music and so on. The second half of the second part, combined with the author's specialty, discusses and studies the ideas of music creation embodied in Sindan's infighting. The related aspects include the song and composition of Sindan infighting, the principle of repetition, the idea of music creation and improvisation without climax, the thought of improvisation and so on. These ideas have some enlightening and practical significance for music creation. In the conclusion of this paper, the purpose of this study is not only to discover the Yg secret of the music itself, but also to open the door to the study of "Gesar" music. The ultimate purpose is to know oneself from the music research of Sindan infighting and Gesar, to get valuable inspiration from music analysis, and to find out the way of creation from the combing of creative ideas. Up to now, there are very few researches on the music ontology of Gesar all over the world, and it is even more difficult to find a comprehensive and systematic summary of a certain music. This not only brings great difficulty to the research, but also makes the research more theoretical and practical. In the analysis of music Noumenon, the author adopts the waveform analysis method, which is new and suitable for analyzing "Sindan infighting", the research method of folk music performed by single player, from another research angle. A preliminary Analysis of the Music of "Sindanet's Syndrome" in < Gesar] by another Analytical Logic All aspects of music are studied. It can't be said that the research has been very comprehensive, but from the research method to the research process and then to the research conclusion and so on, This paper attempts to find out an original way of thinking in non-western traditional music analysis, which is the creative achievement of this paper. Due to the lack of current research materials and materials, and because the new music analysis method is in its infancy, there are still many deficiencies in this paper. I hope to get a teacher. A friend's enthusiasm is correct. The author only hopes that this small step in the field of music research in "Gesar" will be able to draw a brick. Triggered a wave of music research in Gesar. In the process of writing this article, the author received the careful guidance and great help of Professor he Xuntian, and expressed his deep appreciation here!
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J617

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