钢琴套曲《彼得鲁什卡》中敲击性元素的研究
发布时间：2018-10-24 09:48
【摘要】：钢琴套曲《彼得鲁什卡》是斯特拉文斯基于1921年改编自他最著名的三大舞剧之一《彼得鲁什卡》。这部独奏作品中包含了大量的不协和音程、不规则节奏等众多敲击性因素,其新颖的风格在当时的音乐届开创了不同的视野。本文第一章讨论了敲击性因素在独奏作品中的体现,对每一乐章进行单独阐述；第二乐章讨论了敲击性因素在作品中的分析,主要从音型和节奏上进行归纳；第三乐章从芭蕾舞剧版本的管弦乐发、配器及音响等方面对钢琴独奏作品在实际演奏上进行探讨。最后是结论。
[Abstract]:Piano suite Petrushka was adapted by Stravinsky in 1921 from one of his three most famous dance plays, Petrushka. The solo contains a large number of discordant intervals, irregular rhythm and many other percussive factors, its novel style in the music of the time opened up different horizons. The first chapter discusses the embodiment of the percussion factor in the solo works, and expounds each movement separately, the second movement discusses the analysis of the percussion factor in the work, mainly from the sound type and the rhythm. The third movement discusses piano solos from the aspects of ballets, orchestral hair, orchestration and sound. Finally is the conclusion.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.1
本文编号：2291036
[Abstract]:Piano suite Petrushka was adapted by Stravinsky in 1921 from one of his three most famous dance plays, Petrushka. The solo contains a large number of discordant intervals, irregular rhythm and many other percussive factors, its novel style in the music of the time opened up different horizons. The first chapter discusses the embodiment of the percussion factor in the solo works, and expounds each movement separately, the second movement discusses the analysis of the percussion factor in the work, mainly from the sound type and the rhythm. The third movement discusses piano solos from the aspects of ballets, orchestral hair, orchestration and sound. Finally is the conclusion.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.1
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