湘西保靖县苗族、土家族民歌族性特征调查研究
发布时间：2018-10-25 20:06
【摘要】： 本课题的研究属区域民族学和比较音乐学范畴，研究方法上涉及形态学、地理学、语言学、民俗学、心理学等多门学科；力图突破以往背景+形态=文化的简单的标签化公式，注重将音乐视为民族传统文化的有机组成部分，从音乐与所根植的物质文化和精神文化之间的内在关系来探索各民族音乐的历史、现状和衍变规律，阐述其民族音乐的基本特征、民族文化特质。 本文通过对湘西保靖县苗族、土家族民歌个案的具体分析、比较研究，揭示该杂居地区苗族、土家族民歌的各自特色：苗族民歌顽强保持了自身民族特质；土家族民歌则更多地呈现出与它民族音乐的交融现象。在揭示两族民歌发展变化所形成的两种不同基本模式——保持型模式与变化型模式的基础上，力图发掘其音乐形态背后的内在成因，籍以深入地把握不同民族音乐的自身特征，并对两族民歌发展的过程作出初步阐释。 苗族、土家族由于所处的具体地理环境、语言体系、民族渊源及心理诸方面的生态结构的差异，导致其受它民族特别是汉族文化的影响程度不同，其民歌的发展道路有很大差异：苗族民歌自成系统，具有相对的保守性、稳定性；土家族民歌则既保持着原有的文化因素，，又更多地包容、吸收了许多外来文化因素，特别是汉族文化因子，因此，其民歌具有一定程度的融合性特征。总的看来：苗族民歌更多地在纵向继承方面继承与保持了本民族特色，但却使其音乐长期处于封闭状态，发展受到一定限制；土家族民歌侧重在横向借鉴方面对汉族和其它兄弟民族音乐予以灵活吸收、融合与发展，但相对来说，其民歌的民族特征却明显淡化。
[Abstract]:The research of this subject belongs to the category of regional ethnology and comparative musicology. The research methods involve many subjects, such as morphology, geography, linguistics, folklore, psychology and so on. Trying to break through the simple tagging formula of the former background form = culture, and pay attention to the music as an organic part of the traditional culture of the nation. From the internal relationship between music and the material culture and spiritual culture, this paper explores the history, present situation and evolution law of the music of various nationalities, and expounds the basic characteristics and the characteristics of the national culture of the national music. Through the concrete analysis and comparative study of Miao and Tujia folk songs in Baojing County of Western Hunan, this paper reveals the respective characteristics of the Miao and Tujia folk songs in this mixed area: the Miao folk songs tenaciously maintain their own national characteristics; Tujia folk songs show more blending with other folk music. On the basis of revealing two kinds of different basic models formed by the development and change of folk songs of the two groups, the author tries to find out the internal causes behind the musical form of the two kinds of folk songs and to grasp the characteristics of different folk music deeply. And the development of folk songs of the two communities made a preliminary interpretation of the process. The Miao nationality and Tujia nationality are influenced by the culture of other nationalities, especially the Han nationality, because of the differences in their specific geographical environment, language system, national origin and psychology. The development path of its folk songs is very different: the Miao folk songs have their own system, relatively conservative and stable; Tujia folk songs not only maintain the original cultural factors, but also more tolerance, absorbing many foreign cultural factors, especially the Han cultural factors, therefore, its folk songs have a certain degree of integration characteristics. In general, the Miao folk songs inherit and maintain their own national characteristics in the vertical inheritance, but their music is in a closed state for a long time, and their development is limited to a certain extent; Tujia folk songs focus on the horizontal reference to the Han and other brothers of national music to be flexible absorption, integration and development, but relatively speaking, the national characteristics of its folk songs are obviously desalinated.
【学位授予单位】：华南师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J607
[Abstract]:The research of this subject belongs to the category of regional ethnology and comparative musicology. The research methods involve many subjects, such as morphology, geography, linguistics, folklore, psychology and so on. Trying to break through the simple tagging formula of the former background form = culture, and pay attention to the music as an organic part of the traditional culture of the nation. From the internal relationship between music and the material culture and spiritual culture, this paper explores the history, present situation and evolution law of the music of various nationalities, and expounds the basic characteristics and the characteristics of the national culture of the national music. Through the concrete analysis and comparative study of Miao and Tujia folk songs in Baojing County of Western Hunan, this paper reveals the respective characteristics of the Miao and Tujia folk songs in this mixed area: the Miao folk songs tenaciously maintain their own national characteristics; Tujia folk songs show more blending with other folk music. On the basis of revealing two kinds of different basic models formed by the development and change of folk songs of the two groups, the author tries to find out the internal causes behind the musical form of the two kinds of folk songs and to grasp the characteristics of different folk music deeply. And the development of folk songs of the two communities made a preliminary interpretation of the process. The Miao nationality and Tujia nationality are influenced by the culture of other nationalities, especially the Han nationality, because of the differences in their specific geographical environment, language system, national origin and psychology. The development path of its folk songs is very different: the Miao folk songs have their own system, relatively conservative and stable; Tujia folk songs not only maintain the original cultural factors, but also more tolerance, absorbing many foreign cultural factors, especially the Han cultural factors, therefore, its folk songs have a certain degree of integration characteristics. In general, the Miao folk songs inherit and maintain their own national characteristics in the vertical inheritance, but their music is in a closed state for a long time, and their development is limited to a certain extent; Tujia folk songs focus on the horizontal reference to the Han and other brothers of national music to be flexible absorption, integration and development, but relatively speaking, the national characteristics of its folk songs are obviously desalinated.
【学位授予单位】：华南师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J607
【引证文献】
相关期刊论文 前2条
1 王雅琴;;论民歌的沉寂[J];哈尔滨学院学报;2007年02期
2 刘洁;;湘西苗歌及演唱特点探究[J];黄河之声;2012年04期
相关硕士学位论文 前4条
1 雷惠玲;湘西苗族民歌演唱艺术研究[D];湖南师范大学;2006年
2 田中娟;论浙西南香菇山歌的经济民俗特质[D];上海音乐学院;2006年
3 田s
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