京剧艺术与男高音教学

发布时间：2018-10-26 07:33

【摘要】：男高音是歌剧舞台上观众们追捧和喜好的声部。那迷人、透亮、辉煌的剧场效果为歌剧舞台增色不少。然而,男高音的唱高音难,曾一度是歌剧各声部协调发展的瓶颈,也曾制约着歌剧艺术的发展。19世纪初叶,法国男高音歌唱家杜普雷(G.Duprez 1806～1896),第一个运用“换声区”的方法演唱高音。从此,开创了男声关闭(遮盖)唱法的新纪元,使人类第一次找到了,解决男歌手“唱高音难”的科学方法。有了人声艺术各声部的协调和平衡,美声唱法迅速传遍了世界各地。正当全世界都在“引进”科学的美声唱法,来解决男高音唱高音难这一难题的时候。中国京剧净角的高音唱法：“勾住眉心、脑后摘音、行于背、贯于顶、丹田提气、两肋虚张、声音倒灌、膛音出刚音、立音”,也就是传统所说的脑后音,其实与美声唱法中,男高音的关闭唱法有着惊人的相似。这一现象,让我们学歌唱的人感到无比的激动和兴奋!有那么好的的唱法,现如今摆在了我们面前不去好好的继承和发扬,却偏要一味的“崇洋媚外”,这不是我们的悲哀吗? 中国京剧博大精深,美声唱法让世界各国“趋之若鹜”,咱们中国京剧的“脑后音”与高难度的男高音的“关闭”唱法异曲同工。不光如此,京剧艺术中丰富多变的脸谱艺术；细微纷繁的行当划分；标志独特的流派艺术；虚拟化、程序化的表现手法等等,那一项不蕴涵着丰富深厚的文化?那一项不使外国观众看后感到新颖和耐人寻味? 我们天天振臂高呼要振兴京剧艺术,却还是摆脱不了它低迷、颓然的窘境。这不得不要引起我们的思考。结合全世界公认的科学的美声唱法,把我们传统的京剧艺术很好的去研究和发扬,京剧艺术是不需要我们“叫嚣”着去振兴的。
[Abstract]:The tenor is the voice of the audience on the opera stage. That charming, bright, brilliant theatrical effect adds a lot to the opera stage. However, the difficulty of the tenor in singing the tenor was once the bottleneck of the coordinated development of the various parts of the opera, and also restricted the development of the opera art. At the beginning of the 19th century, the French tenor G.Duprez Dupre (1806 / 1896), The first to use the method of "exchange area" to sing the high voice. Since then, a new era of male voice closing (covering) singing method, so that mankind first found a solution to male singers "difficult to sing high" scientific method. With the harmony and balance of various parts of voice art, Bel Canto spread rapidly all over the world. At a time when the world is "introducing" scientific Bel Canto to solve the difficult problem of tenor singing tenor. The soprano singing method of Chinese Peking Opera's net horn: "hook the brow, pick the back of the brain, line on the back, go through the top, Dantian lift the breath, the two ribs are empty, the voice is inverted, the chamber sounds out of the sound of the firm and the sound stands", that is, what is traditionally called the brain back sound, in fact, is in the Bel Canto method. The closing of the tenor is surprisingly similar. This phenomenon, let us learn to sing people feel incomparable excitement and excitement! There is such a good singing, now put in front of us not to inherit and carry forward, but blindly to "worship foreign countries", this is not our sorrow? Chinese Peking Opera is extensive and profound, and the beautiful singing method makes all countries of the world "flock to it". Our Chinese opera's "brain sound" is the same as the difficult tenor's "close" singing method. Not only this, Beijing Opera art rich and changeable face art; subtle and complicated division of the industry; logo unique genre art; virtualization, procedural expression techniques, etc., which does not contain a rich and profound culture? Which one doesn't make foreign audiences feel new and interesting? We raise our arms every day to revitalize the art of Peking Opera, but still can not get rid of its downturn, decadent predicament. This has to arouse our thinking. In combination with the worldwide recognition of the scientific canto, the traditional art of Peking Opera is well studied and developed. The art of Beijing Opera does not need our "clamor" to revitalize it.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J616

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