田边尚雄与东洋音乐的概念
发布时间：2019-05-20 15:59
【摘要】：作为20世纪日本民族音乐学的领袖人物,田边尚雄(Tanabe Hisao,1883-1984)从明治末期到战后,一直活跃在该领域的最前沿。本文聚焦于田边尚雄在1920年到1960年的著述中纳入研究对象的所谓"东洋音乐"的表述,旨在解读田边尚雄的"东洋音乐"概念的实质,进而探讨现代日本人关于亚洲音乐之认识的原点。
[Abstract]:As the leader of Japanese ethnomusicology in the 20th century, Tanabe Hisao,1883-1984 has been active in this field from the end of Meiji to the post-war. This paper focuses on Tian Bian Shangxiong's so-called "Oriental music", which was included in his works from 1920 to 1960, in order to interpret the essence of Tian Bian Shangxiong's concept of "Oriental music". Then it discusses the origin of modern Japanese understanding of Asian music.
【作者单位】： 日本东京艺术大学音乐学系;小泉文夫纪念馆;东洋音乐学会;韩国汉城大学东洋音乐研究所;朝鲜文化研究会;东京艺术大学;武汉音乐学院;
【分类号】：J607
，
本文编号：2481760
[Abstract]:As the leader of Japanese ethnomusicology in the 20th century, Tanabe Hisao,1883-1984 has been active in this field from the end of Meiji to the post-war. This paper focuses on Tian Bian Shangxiong's so-called "Oriental music", which was included in his works from 1920 to 1960, in order to interpret the essence of Tian Bian Shangxiong's concept of "Oriental music". Then it discusses the origin of modern Japanese understanding of Asian music.
【作者单位】： 日本东京艺术大学音乐学系;小泉文夫纪念馆;东洋音乐学会;韩国汉城大学东洋音乐研究所;朝鲜文化研究会;东京艺术大学;武汉音乐学院;
【分类号】：J607
，
本文编号：2481760
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