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谈如何用双系统自由低音手风琴演奏巴赫的复调键盘作品

发布时间:2019-05-20 05:32
【摘要】: 过去传统的手风琴由于自身构造的缺陷,具有很大的局限性。今天双系统自由低音手风琴的出现打破了这种局限性,,使其具备了演奏复调音乐作品的性能。众所周知,复调音乐的顶峰是巴赫,因而,如何用自由低音手风琴演奏巴赫的复调键盘作品就成为我们要研究的对象。 要研究巴赫的复调键盘作品,首先要了解巴赫时代的乐器——古钢琴,我们如何用现代的手风琴去演奏巴赫的古钢琴作品,如何在演奏中把握巴赫的风格,如何再现巴赫的精神,这就是摆在我们面前,急待我们去解决的课题。 本文具体论述了古钢琴及双系统自由低音手风琴的特性,详细介绍了巴赫为古钢琴而作的代表性作品,并从不同角度研究了用手风琴演奏这些作品时遇到的各种问题以及如何解决它们。
[Abstract]:In the past, the traditional accordion has great limitations because of the defects of its own structure. Today, the emergence of dual-system free bass accordion breaks this limitation and makes it have the performance of playing polyphonic music. As we all know, the pinnacle of polyphonic music is Bach, so how to play Bach's polyphonic keyboard with free bass accordion has become the object of our study. In order to study Bach's polyphonic keyboard works, we should first understand the musical instrument of Bach era-ancient piano, how we use modern accordion to play Bach's ancient piano work, how to grasp Bach's style in playing. How to reproduce Bach's spirit, this is in front of us, urgent need for us to solve the problem. This paper discusses the characteristics of ancient piano and double system free bass accordion, and introduces Bach's representative works for ancient piano in detail. The problems encountered in playing these works with accordion and how to solve them are studied from different angles.
【学位授予单位】:天津音乐学院
【学位级别】:硕士
【学位授予年份】:1999
【分类号】:J624.3

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