如何构建民族器乐的“声音景观”——初探音乐地理学视野中的民族器乐研究

发布时间：2018-02-27 00:13

本文关键词： 民族器乐作品音乐地理学声音景观民族乐器广东音乐音乐作品音乐现象地理学研究新兴学科音乐风格　出处：《人民音乐》2013年08期 　论文类型：期刊论文

【摘要】：正我国民族器乐是借助民族乐器的性能特征,结合其演奏技巧的运用,体现一定意境的音乐作品,它是伴随着民族乐器的出现而产生的。我国幅员辽阔、民族众多,据初步调查,中国现有的民族乐器约五百余种,包括了各种性能、各种风格、各种声部的不同类型的乐器,每种乐器都有自己的器乐作品。对如此庞大的乐器体系进行科学分析研究是传统音乐学中的一个重要课题。目前有两种分类研究方法,一是根据乐器的发音特性进行分类,二是根据乐器演奏方法进行分类。但对于民族乐器所承载的民族器乐作品进行统一诠释和定位的研究在国内还没有。我们显然不能用乐器分类的方法对器乐作品进行认识分类。这是因为音
[Abstract]:The national instrumental music of our country is a kind of musical work which embodies a certain artistic conception with the help of the performance characteristics of the national musical instrument and the application of its playing skills. It is produced with the appearance of the national musical instrument. Our country has a vast territory and a large number of nationalities. According to a preliminary investigation, there are more than 500 kinds of national musical instruments in China, including various performances, styles, and different types of musical instruments of various vocal parts. Each instrument has its own instrumental work. Scientific analysis of such a large musical instrument system is an important subject in traditional musicology. The second is the classification according to the musical instrument playing method. However, there is no research on the unified interpretation and orientation of the national instrumental works carried by the national musical instruments. Obviously, we cannot use the method of musical instrument classification to classify the instrumental music works. Classification of cognition. This is because of the sound
【作者单位】：曲阜师范大学音乐学院;
【分类号】：J632

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