织字法在民间乐种中的应用研究——以赣中南窑头打八仙仪式音乐为例

发布时间：2018-05-10 10:42

本文选题：打八仙仪式音乐 + 民间乐种　；参考：《中国音乐学》2009年02期

【摘要】：织字法,是赣中南窑头打八仙仪式音乐中常见的发展手法,系将该乐种中具有典型民族特性的、重复率最高的"种字"巧妙"编织于"音乐结构之中,包括单支旋律的发展,也包括对整体乐队的多维音响调控。按其用法差异,织字法又分为"横织"、"纵织"和"纵横织",共同建构了打八仙音乐的民族音响属性和文化特质。对织字手法的研究属于民族音乐形态学范畴,有利于推动民族音乐创作的发展,完善对传统音乐本体特征的认识。
[Abstract]:The method of weaving characters is a common development technique in the ritual music of the eight Immortals in Nanyao, central Jiangxi Province. It is a kind of music with typical national characteristics and the highest repetition rate, which is skillfully woven into the musical structure, including the development of a single melody. It also includes the multi-dimensional sound control of the whole band. According to the differences in usage, the weaving method is divided into "horizontal weaving", "longitudinal weaving" and "vertical and horizontal weaving", which together construct the national acoustics and cultural characteristics of the music of the eight Immortals. The study of weaving techniques belongs to the category of national music morphology, which is conducive to promoting the development of national music creation and perfecting the understanding of the characteristics of traditional music.
【作者单位】：西南大学音乐学院;
【基金】：西南大学青年基金项目
【分类号】：J607

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