论西方近现代音乐对我国音乐发展的影响

发布时间：2018-07-09 13:53

本文选题：近现代音乐 + 和声　；参考：《东北师范大学》2010年硕士论文

【摘要】： 西方近现代音乐是十九世纪末至二十世纪上半叶的近代音乐和二十世纪下半叶的现代音乐(也称新音乐时期)的总称。西方近现代音乐是工业革命和科技发展的社会文化产物。改革开放后,我国受西方近现代音乐影响较大。因此,我在本论文中以改革开放到现在的30年为时间范畴,围绕“西方近现代音乐的正确立足点是什么?”、“我国音乐文化之路要怎样走下去?”等问题进行论述。文章内容分为三大部分:第一章,西方近现代音乐。笔者在第一章中介绍了西方近现代音乐风格的诸多特点,并从哲学、美学等视角论述了对近现代和声技法的看法。第二章,改革开放后我国音乐发展中的突出现象。这里指的突出现中包含:受西方近现代音乐影响而产生的“新潮音乐”及与其相关的各种争辩、各种流行音乐、音乐艺术商品化现象等。最后,在第三章中进一步肯定了古典音乐的艺术价值,并对我国音乐发展的前景表述了自己的见解。在资料搜集过程中,我发现国内专家及学者们对西方近现代音乐的理解和评价均有所不同。有赞同并付诸于实践的音乐家,也有持反对和批评态度的音乐学家和音乐理论家。笔者目前参考和浏览的资料中有:专著类约20余部、学术论文类约368余篇。另外,关于报刊等资料,仍在搜集和整理之中。
[Abstract]:Western modern music is a general term for modern music from the end of the nineteenth century to the first half of the twentieth century and modern music from the second half of the twentieth century (also called the new music period). Western modern music is the social and cultural product of the industrial revolution and the development of science and technology. After the reform and opening up, our country is greatly influenced by western modern music. Therefore, in this paper, I take the 30 years of reform and opening up to the present as the time category, around "what is the correct foothold of western modern music?", "how to go on the road of music culture in our country?" And so on. The content of the article is divided into three parts: the first chapter, western modern music. In the first chapter, the author introduces the characteristics of modern western musical styles, and discusses the views on modern harmony techniques from the perspectives of philosophy and aesthetics. The second chapter, after the reform and opening up, the outstanding phenomenon in the development of music in China. The highlight of this point includes: "trendy music" produced by the influence of modern and modern western music and its related arguments, various pop music, the phenomenon of commercialization of music art, and so on. Finally, in the third chapter, we affirm the artistic value of classical music, and express our own views on the future of music development in China. In the course of collecting data, I found that experts and scholars in China have different understanding and evaluation of modern western music. There are musicians who agree and put into practice, as well as musicologists and music theorists who are opposed and critical. There are more than 20 monographs and 368 academic articles. In addition, information on newspapers and periodicals is still being collected and sorted out.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J605

【引证文献】