方文山“中国风”词作的形式和情感特点
发布时间：2019-04-10 07:05
【摘要】： 方文山作品中浓郁的古典意味以及他对文字独具匠心的拆解是其创作的显著标识,也是他成为华语乐坛炙手可热的词作者的主要原因。方文山的出现,不仅带动了歌词创作的“中国风”风潮,也因其创作的独特性引起了文学界的重视。他的歌词创作的流行性和独特性,使得歌词不只是单纯的流行文化,更成为一种文学现象,对其研究也就具备了一定的现实和学术意义。 以方文山收录成册的34首“中国风”词作为分析对象,借助新批评和后现代主义的大众文化理论,通过从宏观层面对其作品进行形式技巧和情感倾向分析,并结合具体案例从微观层面分析他如何在个性的形式中实现情感的表达,发现方文山歌词具有以下几方面特点:“中国风”词作文白驳杂的文字极具特色但又不晦涩难懂;注重韵脚的使用让歌曲便于记忆;借助富有画面感的蒙太奇手法占据听众的视听神经;充分利用古典意境中沉淀下来的情感认知模式创造共鸣。以上这些特点形成了方文山特有的形式和大众情感的完美结合,在歌词创作界,可以说它促发了音乐创作的另类革命。但是,他的“中国风”作品也存在一定的问题:第一,繁复的意象有简单拼贴的现象;第二,自我重复,让自己陷入文字游戏无法自拔,而导致一再的重复自己而囿于一个狭小的范围之中。
[Abstract]:The strong classical meaning in Fang Wenshan's works and his unique disassembly of the characters are the remarkable signs of his creation and the main reason why he became a popular songwriter in the Chinese music world. The emergence of Fang Wenshan not only drives the "Chinese style" trend of lyrics creation, but also attracts the attention of literary circles because of the uniqueness of his writing. The popularity and uniqueness of his lyrics make the lyrics not only a simple pop culture, but also a literary phenomenon. Therefore, the study of the lyrics has a certain practical and academic significance. Taking the 34 "Chinese style" words collected by Fang Wenshan as the analysis object, with the help of the new criticism and the popular culture theory of post-modernism, through the analysis of the formal skills and emotional tendency of his works from the macro-level, Combined with specific cases, this paper analyzes how he realizes the expression of emotion in the form of personality from the microcosmic level, and finds out that the lyrics of Fang Wenshan have the following characteristics: "Chinese style" words and compositions are very distinctive but not obscure; Pay attention to the use of rhyme feet so that the song is easy to remember; with the help of the picturesque montage techniques to occupy the audience's visual and auditory nerves; make full use of the classical mood deposited down the emotional cognitive model to create resonance. These characteristics formed the unique form of Fang Wenshan and the perfect combination of popular emotion, in the lyric creation world, it can be said that it promoted an alternative revolution in music creation. However, there are also some problems in his works on Chinese style: first, the complex images have the phenomenon of simple collage; Second, self-repetition, so that they can not extricate themselves in the text game, and lead to repeated repetition of themselves and confined to a narrow range.
【学位授予单位】：华中科技大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J614.9
本文编号：2455589
[Abstract]:The strong classical meaning in Fang Wenshan's works and his unique disassembly of the characters are the remarkable signs of his creation and the main reason why he became a popular songwriter in the Chinese music world. The emergence of Fang Wenshan not only drives the "Chinese style" trend of lyrics creation, but also attracts the attention of literary circles because of the uniqueness of his writing. The popularity and uniqueness of his lyrics make the lyrics not only a simple pop culture, but also a literary phenomenon. Therefore, the study of the lyrics has a certain practical and academic significance. Taking the 34 "Chinese style" words collected by Fang Wenshan as the analysis object, with the help of the new criticism and the popular culture theory of post-modernism, through the analysis of the formal skills and emotional tendency of his works from the macro-level, Combined with specific cases, this paper analyzes how he realizes the expression of emotion in the form of personality from the microcosmic level, and finds out that the lyrics of Fang Wenshan have the following characteristics: "Chinese style" words and compositions are very distinctive but not obscure; Pay attention to the use of rhyme feet so that the song is easy to remember; with the help of the picturesque montage techniques to occupy the audience's visual and auditory nerves; make full use of the classical mood deposited down the emotional cognitive model to create resonance. These characteristics formed the unique form of Fang Wenshan and the perfect combination of popular emotion, in the lyric creation world, it can be said that it promoted an alternative revolution in music creation. However, there are also some problems in his works on Chinese style: first, the complex images have the phenomenon of simple collage; Second, self-repetition, so that they can not extricate themselves in the text game, and lead to repeated repetition of themselves and confined to a narrow range.
【学位授予单位】：华中科技大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J614.9
【引证文献】
相关期刊论文 前1条
1 王萌;;结合“中国风”歌词探讨汉语修辞教学[J];中国-东盟博览;2013年01期
，本文编号：2455589
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