“辟卡迪三度”形成的下属小调半终止结束——一种特殊的结束型和声陈述手法
发布时间：2019-04-24 12:39
【摘要】：这是一种以小调为主调的特殊的和声终止陈述手法。它虽然是以大三和弦结束,但是与一般的所谓"辟卡迪三度(Picardy third)"有所不同。一般的"辟卡迪三度"是指在小调乐曲的终止中,把结束处主和弦的三音升高半音成为大三和弦。而本文所讲的这种和声终止手法虽然最后也在大主和弦上结束,但是在大主和弦出现之前常与向下属小调离调紧密结合。结束的大主和弦正好是下属小调的属和弦,结合下属小调来看,形成"下属小调半终止结束"的"双重调性"的手法。这种手法通常与乐曲的内容有密切联系,有其特定的美学意义。
[Abstract]:This is a kind of minor tone as the main tone of the special harmony end statement. Although it ends with a three-dimensional chord, it is different from the usual so-called "three-degree (Picardy third)". The general "Pikadi three degrees" refers to the end of the main chord in the end of the three-tone raised half-tone into a major three chord. Although the end of the harmony in this paper ends on the main chord, it is often closely combined with the minor tone before the appearance of the big chord. The end of the major chord is exactly the subordinate minor chords, combined with the subordinate minor, the formation of "subordinate minor half end" of the "double tone" technique. This technique is usually closely related to the content of the music and has its specific aesthetic significance.
【作者单位】： 南京艺术学院流行音乐学院;
【基金】：国家“211工程”三期“艺术学理论创新与应用研究”项目阶段性成果之一
【分类号】：J614
[Abstract]:This is a kind of minor tone as the main tone of the special harmony end statement. Although it ends with a three-dimensional chord, it is different from the usual so-called "three-degree (Picardy third)". The general "Pikadi three degrees" refers to the end of the main chord in the end of the three-tone raised half-tone into a major three chord. Although the end of the harmony in this paper ends on the main chord, it is often closely combined with the minor tone before the appearance of the big chord. The end of the major chord is exactly the subordinate minor chords, combined with the subordinate minor, the formation of "subordinate minor half end" of the "double tone" technique. This technique is usually closely related to the content of the music and has its specific aesthetic significance.
【作者单位】： 南京艺术学院流行音乐学院;
【基金】：国家“211工程”三期“艺术学理论创新与应用研究”项目阶段性成果之一
【分类号】：J614
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